Patricio Coll

Directing

Patricio Coll

Patricio Coll (1941, Paraná, Entre Ríos, Argentina) was a student and professor at the Film Institute of the University of the Litoral. He has worked professionally in film and television production, direction, screenwriting, sound, and editing in Argentina, Venezuela, and Spain. He has received awards for "Hachero nomás," "La doma," "Fernando Paillet, fotógrafo," "Cármen," "Cicatrices," "Regreso…

Known For

La domaLa doma · 1969
La doma
★ 6.01969
MovieDocumentary
Documentary short film that portrays the taming of horses.
Hachero nomásHachero nomás · 1966
Hachero nomás
★ 6.01966
MovieDocumentary
The living and working conditions and the exploitation to which the "axemen" workers are subjected in the province of Santa Fe, Argentina, in what was one of the most powerful companies of imperialism.
CicatricesCicatrices · 2001
Cicatrices
★ 9.02001
MovieDrama
Three stories located in the decade of the 60 in the city of Santa Fe, Argentina. Juan José Saer paints typical characters of a city counties and depicts a time of political and cultural effervescence.
La noche de las cámaras despiertasLa noche de las cámaras despiertas · 2003
La noche de las cámaras despiertas
★ 5.22003
MovieDocumentary
The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).
Brief HeavenBrief Heaven · 1969
Brief Heaven
★ 6.31969
MovieDrama
A young middle-class man and a young girl who has left the slums to work as a prostitute meet by chance on the Plaza de los Ingleses, opposite the emblematic Retiro station in Buenos Aires.
65/75 Comarca Beat65/75 Comarca Beat · 2017
65/75 Comarca Beat
★ 10.02017
MovieDocumentaryMusic
Film that rescues the history of the origin of rock in the city of Santa Fe (Argentina) as part of the cultural movement that broke out and promoted the decade between 1965 and 1975 artistically and socially.
La Huella del gatoLa Huella del gato · 2008
La Huella del gato
2008
MovieDrama
Marcelo decides to abandon his life as a city publicist, sells his properties, and builds a ranch on the island. He sails to Don Armando's store for supplies. Victoria works there, with whom he has a romantic relationship and ends up living with him. One night, two men try to rob them; Victoria is shot and killed, and he kills her attackers. The ranch burns down. Marcelo abandons his lost paradise by rowing downriver.
Regreso a Fortín OlmosRegreso a Fortín Olmos · 2008
Regreso a Fortín Olmos
2008
MovieDocumentary
Documentary about another documentary by its director Patricio Coll and Jorge Goldenberg, "Hachero nomás".

Filmography

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La noche de las cámaras despiertasLa noche de las cámaras despiertas · 2003
La noche de las cámaras despiertas
★ 5.22003
MovieDocumentary
The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).