Lin Sheng-xiang

A family of four fractures under the weight of unmet expectations, unexpected tragedy, and uncompromising pride.

Security guard Pickle and his trash collector friend Belly Button kill time together in night shifts watching the American-educated boss's dash-cam recordings of his various sexual encounters with women. Against the buddies' will, something horrifying rather than erotic reveals.

When April, a Filipino migrant worker, returns home with the ailing Taiwanese grandpa she cares for, while the grandpa's recently released son comes home only to find the house empty.

Taiwan is an island country. Although it is surrounded by the sea, its people fear the sea since the politics, the history and the religious beliefs held on this island make people turn their backs to the sea. Oceanic literature author Liao Hung-chi and underwater photographer Ray Chin lead the audience out to the sea and into the water. They prompt us to understand the sea and to think about the possibility that the ocean might become our lives and the future of our country.

Through the process of a family from their hometown, who left their hometown to work in the city, the film expresses the emotional changes of the family. Although the shape of love is not the same, it will always be there.