Ayumi Sonoda

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.

In an effort to find an economic means of purifying salt water, a joint U.S.-Japanese military command is set up on an isolated Japanese island where an unusual salt water lake is situated. However, their purifying experiments arouse the prehistoric monster Obaki from hibernation at the lake's bottom, and it proceeds to attack Japan. Although made by a U.S. independent film company, this film was based on a Japanese Toho monster film of 1958, "Daikaiju Varan", from which all of the monster effects scenes and a few incidental dramatic shots were edited into it.

When a narcotics deal goes sour and a suspect disappears, leaving only his clothes, Tokyo police question his wife and stake out the nightclub where she works.

When a rare species of butterfly is found in a mysterious valley in Japan, a pair of entomologists go to investigate and find more. They discover Varan, a giant monster, who decides to leave the valley and head straight for Tokyo.

The music teacher, who danced the twist at the graduation ceremony of the solemn female school, was fired but decided to try his luck in the cosmetics business, and became the best salesman anyone had ever seen. First film in popular "Number 1" Series.

1961 Japanese movie

A single mother from the country raising a 6th grade boy comes to Tokyo, leaves the boy to live with his uncle's family, runs a struggling grocery store, and works a local inn. The boy befriends a girl, the daughter of the innkeeper.