Pavel Kostomarov

The film is based on the early songs of Viktor Tsoi. This is a story about a young slacker, easy and fun going through life. He strumming a guitar and composing songs. Drinks with idle friends. The usual, almost domestic, history of betrayal changes everything radically. So the poet is born.

Today’s twenty-something Russians are the first generation in the country’s post-communist history to have grown up free. Their twenties are the age of freedom, of fast-changing events and intense emotions. Perhaps only at this age they can live a whole life in one day. A young girl and her two accident companions walk halfway around St.-Petersburg; they flirt and tease each other, and for ninety minutes they act out a real-time romantic drama. This stroll is full of laughter and tears against a backdrop of the hustle and bustle of the streets.

A polar station on a desolate island in the Arctic Ocean. Sergei, a seasoned meteorologist, and Pavel, a recent college graduate, are spending months in complete isolation on the once strategic research base. Pavel receives an important radio message and is still trying to find the right moment to tell Sergei, when fear, lies and suspicions start poisoning the atmosphere...

The film is based on a true story that happened in Alaska in summer, 1943. Soviet pilot crew is flying new American bomber from the USA to the USSR under lend-lease& The pilot lands at an air base in the town of Nome for refueling only to find out that his partner has disappeared in the middle of the flight. Navigator cockpit is open, and the navigator himself has vanished into the thin air. Soviet and American intelligence do not believe in supernatural power, especially since the solder's missing parachute pack has valuable intelligence data. Recon teams of the two rival countries set out to search it in the depth of Alaska forest, however, soon another mysterious player joins the game, an aleut deity called Bansu.

The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.

Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.

These are the stories of the three guys,three friends, living in a city in the south of Russia. In the course of a year they recorded their everyday lives with a small HDcam. This record is what comprises the movie and to what it is dedicated. Our heroes are eighteen years old and they live average lives: work, have parties and, fall in love. But finally they will have to make those most important of personal choices which will define their future.

Story of Lendoc (Leningrad Documentary Films Studio). Among the heroes of the film are not only famous film directors who shot films at the studio in different years, but also employees of other professions, like cinematographers, writers, editors, producers, sound designers…

A drunk couple spend their summer-holiday at sea. Their life is not everything they hoped for, and abuse is part of their relationship. At sea they dream about love and understanding, and we observe their fellow countrymen spending their holidays on the same beach. Tragedy, comedy, love, hate, sex : it is all there.

A dying actor asks a doctor to help him commit suicide in return for a masterpiece.

An intimate portrait of Russian opposition leader Boris Nemtsov — once Deputy Prime Minister and “an heir of President Yeltsin”, later an uncompromising adversary of Putin — that was assassinated near the Kremlin in February 2015. Election campaigns and hotel beds, protest rallies and office routine, train compartments and courtrooms, night walks and police vans – you have never seen any politician so close. This is a story how a journalist assignment turns into a genuine friendship.

This movie is about a day in life of the settlement for people with mental problems. Located in a peaceful countryside, it conveys an image of a pure, happy place, where people live and work together, in complete harmony. But there is a growing unexplainable feeling of anxiety and hopelessness.

A deadly virus of unknown origin has decimated Moscow. Sergey, along with his girlfriend and their autistic son are joined by his exwife, their son and several fellows to escape the quarantine zone lest they suffer a slow and painful death. Somewhere far away, on a desert island in Karelia, there is a cabin- their only chance to start all over again. But the journey will not be an easy one as the deadly virus and interpersonal conflict threaten to pull the group apart.

How is it possible to feel someone elses pain? The hero of this film is an autistic boy. His life is divided between an apartment with peeling walls on the outskirts of a large city, and a mental hospital. Anton comes into the frame when he is on the point of becoming a patient at a residential neuropsychiatric institution, a place where people with the sort of diagnosis that he has do not live long. The author, the camera, the hero. The distance between them shrinks with every passing minute, and the author has to enter the shot and become a character in the story. However, it is not a story about how one person helped another, but about how one person recognized herself in another. About how there is Another who lives in each of us and must be destroyed every day inside of us in order to survive.

Every year, 25,000 people die on Russian roads. You could say a whole city is disappearing from our planet. And about a third of its "residents" were involved in an accident due to speeding. Many drivers do not consider acceleration even at 30 km / h a violation, but statistics show that they are wrong. Five different stories combined in movie almanacs will make every viewer, at least, think about the right choice of speed. Both on the road and in life.

Winter. A bus stop in a small village. People are waiting for a bus. They talk. Listening to their conversations, the viewer can imagine the world they live in. United by the movement of the camera, the place and the people blend together.

A youth comedy about the tragedy of the first love. An experiment in the area of the film language. REC, accidentally pressed in the middle of a fight. Jealosies, breakups, reunions. A few bedroom scenes, shot with a home camera. Cries and whispers of the urban outskirts. The audience of the film are both Bergman fans and YouTube viewers.

A genuine satiric comedy, based on real conversations - both amusing and sad - overheard by a journalist in one of the most expensive Moscow restaurants. Hilarious and revealing, this is a film about women who choose between affection and money, film producers that don't really know what they're filming, and weary businessmen who sometimes say screw it, down a shot and leave their mother-in-laws to pay the bill. But most of all, it's about true love that favors noisy kitchen floor over gilded fine-dining halls.

Аlina Makarova is a mother of six of her own children and one adopted child. Her ex husband is from Ethiopia, and all her own children are mixed race. Only her adopted son is white, but he has serious health problems and is psychologically unstable. Alina's older children realise what complications the adoption might bring and are afraid that there won't be enough room, time and love for everyone. But she convinces them that it's the right thing.

The authors of the project tried to understand the transformations that the image of the ship underwent in the human mind: a pirate ship of threat was replaced by a romantic ship of love, and a heroic warship turned into a deadly ghost ship. The "lecture" by art historian Arkady Ippolitov is accompanied by fragments from one hundred and thirty films. The original footage of the film was shot by cameraman and documentary film director Pavel Kostomarov. The composer of the painting is Leonid Desyatnikov. The film opens a series of documentaries of the studio "Workshop Session".

Our eternal theme is crime and punishment. In Boris Godunov, the problems of conscience and existential choice are linked to the history of the country. Pushkin says that these things are woven into a mysterious knot or pattern. The choice of each of us is also the choice of our own history. An incorrect individual choice or a karmic mistake can lead to a chain of fatal events. If a person finds himself in power, it can become a problem for the whole people.

This movie is a collection of portraits of residents of Russian countryside. Not a single word. Only long look into the camera. Landscape. Flow of time.

A portrait of the Russian filmmaker Alexei Guerman via an exploration of the making of his latest film, an adaptation of It Is Difficult to Be a God, a science-fiction novel by the Strougaski brothers, on which he has been working for several years, Hard to Be God explores the director's complex relationships with his crew, who he rules with a rod of iron. The film exposes the power relations of authority and the submission of a film crew to a director who is trying to change history, fight servitude and advocate freedom.

The film is about Alexey Popogrebsky's film "How I spent this summer". In the film, there are no tedious reflections of the actors and the director about their film against the background of posters of the same film. But there is life itself, real, unmasked, and, despite the sea of comicality, it makes you horrified at how the Russian film process can take place…

A grim drama that unfolds against the backdrop of a global catastrophe. An unknown new virus turns Moscow into a city of the dead. Money loses its value and those not yet infected struggle desperately for food and survival.

Russia, 1959. A KGB major investigates the mysterious deaths of a group of nine student hikers in the Ural Mountains. Troubled by his past as a WWII veteran, he has a sixth sense and death seems to follow him around as he digs deeper into the mysterious incident. The more he learns, the more it becomes clear: the reason the students died will never see the light of day.

Realizing that something needs to change in life, a simple girl Sasha Gvozdikova leaves Yekaterinburg for Moscow, abandoning a boring job and a married lover. She writes short stories and dreams of getting them published, but overestimates her writing talent. Together with Sasha, two of her best friends from Yekaterinburg, Katya and Alyona, live in Moscow. The plot of the story revolves around three heroines who are trying to find themselves in metropolitan life and in relationships.

Four guys from the outskirts of Moscow decide to make easy money - to overtake a car with stolen cargo inside. Not really thinking about the consequences, they make one mistake after another, and very soon they have serious problems with the law. Now there is no turning back, and in order to survive, four friends need to stick together at all costs.