Colette Dorsay

Seven directors each dramatize one of the seven deadly sins in a short film. In "Anger," a domestic argument over a fly in the Sunday soup escalates into nuclear war. In "Sloth," a movie star would rather pay someone to tie his shoe than bend over to do it himself, and he can't be bothered to accept a starlet's sexual favors. In "Gluttony," a peasant family on its way to the funeral of a relative who died from indigestion stops regularly to eat and drink en route, arriving in time to eat some more. In "Greed," a high-class prostitute refunds the price of a cadet's lottery ticket. In "Pride," an unfaithful wife finds reason to reform. And so on through lust and envy.

At the turn of the century, Rose-Aimée, the hard working wife of photographer J.A. Martin, decides to leave her children with an aunt to go with him on his annual tour of the Québec countryside. She hopes the intimacy will rekindle their marriage.

A widow must cope with her late husband's associates, crooked Japanese businessmen who want her shares of a rich Northern Quebec land and a Jewish con man who wants to get a hand of her mysterious synthetic fur coat.

Envious of a movie star who is staying at the hotel where she works, the waitress Rosette does everything she can to seduce the actress's lover. Some time later, after having realized her ambition, she returns to the hotel as a client. (Segment of "Les sept pêches capitaux")

Filmed in French, this Canadian film was based on a popular Quebec-based radio serial. The man of the title is miserable miser Seraphim (Hector Charland). Misanthropic to the point of insanity, Seraphim takes great pleasure in destroying the lives of everyone with whom he comes in contact. His current target is Alexis (Guy Provost), the ex-lover of Seraphim's long-suffering wife Donalda (Nicole Germain). Taking into consideration its daytime-drama source, it's understandable that Un Homme et Son Peche is plotted and paced like a soap opera. Star Hector Charland had previously spent 10 years portraying Seraphim on radio, so he's got plenty of "mean" at his disposal for this big-screen spin-off.

A film between reality and fiction about a popular singer, played by Joël Denis, idol of that time. He is surrounded by a host of great actors and real and famous characters from the 60s.

A television host tries to react to the process of alienation that the public is subjected to from variety shows.