Andrzej Munk

A German woman on a ship returning to Europe notices a face of another woman which brings recollections from the past. She tells her husband that she had been an overseer in Auschwitz during the war, but she has actually saved a woman's life.

A young music student strolls through Warsaw’s Old Town as the city’s everyday sounds—children, traffic, machinery, music, and passing jets—shift from background noise into a spontaneous outdoor concert.

Short propaganda film. Warsaw's post-war reconstruction as seen through the eyes of the passengers of a red bus.

A documentary about the hard work of railwaymen transporting coke from Tarnowskie Góry to Szczecin Iron works.

Originally, Munk intended Eroica to be a triptych with Con bravura being the first part, but he ultimately gave up on this film, deeming it weaker artistically than the two counterparts. Con bravura is about conspiracy conflating the paths of a rather unconventional nun and an intrigued young man – each of them bears secrets and the encounter could incite a flaming romance, though one suffocated by war.Munk set the film in the mountain capital of Zakopane and its vicinity, allowing breathtaking views from a cable car and using his experiences of the Nazi occupation in the area to add gritty reality. The director plays a cameo as a priest with several of his industry friends also making appearances.

A film meant to show what people were told to believe about the wonderful lives that Polish peasants led in post-war Poland.

This documentary describes the process of building and the first days of the combine and the city of Nowa Huta. Andrzej Munk realizes the postulates of socialist realism decreed in Polish cinematography in 1949.

The final film produced by Warsaw’s Documentary Film Studio is an epic re-enactment of a treacherous mission by the Voluntary Tatra Mountain Rescue Service to aid colleagues stranded behind enemy lines at the close of World War II (several real participants feature in the film). Based on a short story about the rescue by Adam Liberak, Munk’s final “documentary” is also arguably his first major exercise in the craft of narrative filmmaking.