Jakub Jelínek

When a 9-year- old boy, Darko, learns that his father has a mistress, he must decide wether or not to tell his blind.

A district hospital doctor has passed the age of 40 and feels she has one last chance to move on in life. But her ambition to succeed in neighbouring Germany is clashing with the mindset of her colleagues at the small hospital and especially her family.

We make decisions every day but not all decisions carry the same weight. The film Decisions captures three situations where a decision in unavoidable but painful, in a way. Sometimes, choosing a perfect pair of shoes seems nearly impossible but in other scenarios a relationship or even a life can be at stake. (Author of the annotation is Adéla Drdová via FAMUFEST.)

A teenage boy returns to his family after years apart, scarred from being sent to Vietnam while his younger brother stayed in Czechia. After reunion, he faces a distant father, a mother desperate to mend the past, and a brother uneasy about sharing the spotlight. One chaotic summer pushes them to their limits when the younger brother falls from a roof. Between misunderstandings and clumsy family dynamics, they learn that sometimes, healing begins by letting the cracks show.

A day before Christmas Eve, a young, inexperienced doctor starts his first night shift on his own. All of his more skilled colleagues have left to spend some time with their families. There are no signs which would indicate that this calm night will change into a struggle for not only a child's life, but also a professional and personal credentialing.

One night and a wad of cash he suddenly has to come up with quick. So he and his friend Láďa have to set out on a wild Friday odyssey full of cocaine and rap. The pursuit of fame and respect in the music scene slowly transforms into a desperate and dangerous attempt not to miss out on the chance of a lifetime. In their adrenaline-fueled ride through the nighttime streets of Prague the pair of friends are caught in a time crunch, teetering between a rap career and a moral choice which threatens the lives of dozens of young people.

After her father's wedding, Tereza travels to her grandmother's house with her boyfriend and sister. Their mother takes care of their grandmother and the house. Tereza feels that everything in the house has been left to its own devices, just like her grandmother, who is losing touch with reality due to a lack of attention. Unfortunately for everyone involved and the whole family, Tereza decides to stay in the house and take care of the repairs. But not everything needs a breath of fresh air and repair, and without realizing it, she cleans up much more than just dusty cobwebs in the family.

Men still have a privileged position. Yet the concept of a “crisis of masculinity” is increasingly permeating the media, with a loosening of roles and a growing uncertainty about what it means to be a man today. The director Jan Hušek also asks this question. He was still wetting himself by the age of thirteen, which earned him the unflattering nickname that is the film's title. In his open video diary, he captures the physical and spiritual transformation of his journey from boy to man. He returns to the woods and the roots of his childhood trauma. In doing so, he turns the camera on himself as well as on various teachers or his father. Perhaps the mark of adulthood, after all, is not overwrought masculinity, but the acceptance of his inner “pisspants”.