Wolfgang Rest

Trauma surgeon Thomas Reiter voluntarily withdraws into a secure institution because he no longer wants to face everyday life. He solves his problems in his imagination – a Western fantasy. A priest is commissioned by his worried parents to bring their son back to reality. When Thomas invites him to follow him into his Western world, the priest realizes that this escape from reality is not without its fascination...

1969. The Prague Spring has been demolished. New barbed wire installations have been erected. Julia, who is thirteen, has moved with her mother to a village in northern Austria which lies on the Czech border. Julia has not spoken since her father's death. Her isolation increases in the village where she is an outsider. Provoked into proving her courage by some young villagers, she walks into no-man's land. She discovers a forgotten tunnel which leads to a construction site on the Czech side of the border. Julia makes the acquaintance of Roland, a forty-five-year-old surveyor, on "the other side". An ambivalent father-daughter relationship develops between them. Roman is the only one to whom she confides the secret of her border crossings. Due to his affection for her, she regains her ability to speak. And she starts to feel at ease with Alexander, who is her age. Roman makes new plans at Julia's urging. The insurmountable border foritfications will remain vulnerable . . .

When rumors spread about a "child prodigy" among the Mozarts in Salzburg, the archbishop orders an investigation in which the seven-year-old Wolfgang has to demonstrate his talent before a committee of scholars. Soon afterwards, Leopold Mozart and his son are traveling all over Europe to play for patrons and admirers. The new Archbishop of Salzburg, Count Colloredo, is not very enthusiastic about Mozart and dismisses him. Mozart marries Constanze Weber, settles in Vienna and has his first successes, earning him commissions and the goodwill of Josef II. In the last years of his life, his situation worsens; Mozart runs into financial difficulties and health problems, but still works incessantly.

Jag Mandir is a quiet and often overlooked film in the vast oeuvre of Werner Herzog. Apparently, 20 hours of footage was shot that covered the whole fest and the film hardly presents us a twentieth of that. A native walking into the film in between may well fail to immediately realize that it is his country that is being shown and these are figures from the mythology of various sections of his nation. The bulk of the film consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace of Udaipur, Rajasthan staged by André Heller.

In the heirs, the friendship ends, as is well known - especially if the illegitimate scion of a count is to come unexpectedly to a million-fortune. In a bitter inheritance dispute, Paula Dennstein and Therese Schwarz are the lawyers of the parties to the dispute, who at eye level deliver a sophisticated exchange of blows and outdo each other in bluffing. While the idealistic career starter leaves no stone unturned to help her client to his rights, the lavish legal advocate of the noble family must prevent the family's reputation from getting under the wheels.

Set in 1964, a man returns to his hometown looking for his childhood sweetheart but discovers a dark and corrupt world.

Lawyers Paula Dennstein and Therese Schwarz open a law firm together. But their first case is already a tough one. They have to protect a single widower from the fraudulent machinations of a prefabricated house company - pro bono, of course! But things are also going haywire in their private lives. While Paula's marriage threatens to collapse for good, Therese meets Thomas and is completely smitten by him. The attraction is obviously mutual, until Therese realizes who Thomas really is.