Ashok Bepari

After falling in love with an extremely idealist youth Tajul, Shanu ignored her luxurious life and left her home town, leaving behind just a short note with her new address. Shimul, after a long time, could manage to find Shanu out in a corner of an old township with cue of that note wherein he invents a new proletarian Shanu Wherein Shanu and Tajul are giving their everything, every breath and working really hard to run the family in a conscientious way. We cannot see those struggling breath with bare eyes. We, probably, can elucidate these struggling breaths as precious love of life. The name of the prehistoric story of this breath is “Myth of Love”.

A hospital, a few families and a few people fighting for survival. The fight becomes more difficult when some extremists plan a devastating attack. Amidst the rubble one stands up, building a fortress of resistance. But will he be the hero of war? Or will be lost in this destruction?

Anu Bahar, a girl from a middle class family, has to use regular public transport. Almost every day she was being harassed on the street, in the car, on the sidewalk. When this daily harassment of the road goes beyond tolerance, one day Anu decides to buy a scooter. But there began another struggle.

With her father missing, Saba is the sole caregiver to her paraplegic mother, Shirin, who suffers from acute heart disease. Although Shirin's condition binds them together, her frustration with their situation often manifests as bitterness and anger towards her daughter, so they live in their own separate worlds. When Shirin has a heart attack, Saba races against time to sell their home, lowering the price, and even risking her burgeoning romance with her senior co-worker Ankur — who dreams of starting a new life abroad — to pay for her mom’s heart surgery.

Three girls try to flee their village to escape the superstitions and fanatic hostility surrounding them. Only the blind girl makes it out, finding herself face-to-face with an elephant.

Is there really anything to say about ghosts? Is the spirit of the dead nothing to be afraid of? Is it really true to see something incorporeal while driving at night? Is it all superstition or mistake of mind?

Moyna and Masud's marriage takes a tumultuous turn when their differing desires clash. While Masud leaves for Malaysia, Moyna seeks comfort in the arms of another man. Can they start afresh?

Fourteen-year-old Naima longs to earn money for her poor Bangladeshi family, but her unrivaled artistic talent is of little use. When her ailing father is at risk of losing his prized bicycle rickshaw to loan sharks, she disguises herself as a boy and attempts to drive the rickshaw herself. Naima crashes the rickshaw, threatening the family's sole livelihood.