Yannick Bellon

In Bordeaux, a gay man's murder leads Inspector Verta to investigate. He develops feelings for Bernard, a musician suspect, jeopardizing his marriage and impartiality in the case.

Sylvain, a suave, witty player as well as an accomplished writer and Genevieve met 10 months ago. He wanted a serious relationship for the first time so they moved to the country so they could be together and he could write.

Marie is a young woman recently released from prison on drug charges. As a condition of her release, she joins a theatrical troupe composed of young delinquents, and at the same time faces a difficult journey of reintegration into society and strives to rebuild her life.

People in Paris struggle with loneliness and urban isolation. In the center is Raphaële, a successful architect navigating her fragile relationship with her lover Vincent, a journalist grappling with alcoholism.

Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma. Following a friend's advice, she decides to file a lawsuit.

A personal history of France, told through photos by French photographer Denise Bellon.

Passers-by, those who knew him in his youth, René Barjavel, witness of his beginnings, his wife, his doctor, writers ... By questioning them Michel Polac tries to better understand the troubled personality of Louis-Ferdinand Céline, Notorious anti-Semite and genius writer.

Nadine's existence changes dramatically when her husband leaves her after 15 years. With the help of her seventeen-year-old teenage son Rémi, who is paternal and protective, she goes back to work.

An international anthology about the struggles of female workers around the world.

Nicole Védrès' chronicle of Paris from 1900 to 1914 is brought to life through the use of original material, all authentic, secured from more then 700 films belonging to public and private collections. A few of the celebrities of the time shown are Enrico Caruso, Sarah Bernhardt, and Maurice Chevalier.

A romantic German girl is brought to France. After an interlude with an old roue, she falls in love with a simple, but married, man. She goes to work for him as a servant, but after a night of love with him, she commits suicide.

Zaa follows the journey of a white camel returning to the oasis it calls home and finds an unlikely ally in a young boy. With Zaa, Bellon shows another side of herself, the lover of animals and children, in a land far from France.

Claire, a UNESCO interpreter, begins a romance with an oceanographer named Simon. Their relationship is challenged when Claire receives a breast cancer diagnosis. Faced with her illness and the potential for a mastectomy, she struggles with her self-image and decides to push Simon away, believing the diagnosis will change their future together.

In this earnest drama, a rural schoolteacher who has become a strong advocate for ecological awareness and is a committed opponent of hunting in the local swamp becomes romantically embroiled with a single mother who has returned to her birthplace since just before her boy (now nine years old) was born. Despite some hard feelings from the adult population of the town (who are very pro-hunting), the teacher's romance progresses smoothly until he learns that his girlfriend's brother stuffs and mounts specimens of endangered species.

Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.

Claire returns to France following the death of her actress friend Agathe. She attends an auction of her friend's possessions, provoking memories of the past.

In the evening of her life, Yannick Bellon reflects on her past. She evokes her career as a film director, which began in the 1940s and the themes, sometimes controversial (rape, bisexuality, drugs, ecology) she chose to deal with. She also tells about her friendships, her loves, her leftist political commitment, which earned her many troubles with the censors.

Françoise and her husband Jean-Pierre invite some friend couples to spend a weekend in their large villa on the Portuguese coast. What follows is a romantic intrigue, with each character discovering a little more about themselves.

This documentary explores the complexities of Los Angeles. Blending a highly structured montage of shots exploring the city with interviews of students, the writer Henry Miller, and residents from all communities, this evocation of Angelenos' city paints a portrait of a living, constantly evolving entity.

On a small island off the west coast of France a couple leads a degradingly harsh life, together with their servants. During all seasons they have to survive by collecting sea-weed along the shoreline and selling it to the few captains mooring on the island. They live like prisoners on the island, their earnings depend on fate.

In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.

Yannick Bellon's documentary paints a portrait of a city torn between the problem of unsanitary housing, pollution corroding walls and statues, and the recurring and increasing floods—all consequences of human activity. Faced with job shortages and rampant speculation, the overarching question arises of how industries can coexist with the city of Venice. Allowing them to develop risks destroying it; driving them out risks turning it into a museum, causing its inhabitants, and thus its soul, to leave.