Eiji Oshimoto

Acting

Eiji Oshimoto

Born January 3, 1900 · Tottori, Japan

Died May 26, 1946 · aged 46

Oshimoto Eiji (January 3, 1900 – May 26, 1946) was a Japanese actor. He belonged to the Shochiku Kamata Studio roster, and was active as a star of action dramas until the end of the Taisho period.

Known For

Saigo no kikyōSaigo no kikyō · 1945
Saigo no kikyō
1945
Movie
1945 Japanese movie
The Loyal 47 RoninThe Loyal 47 Ronin · 1932
The Loyal 47 Ronin
1932
MovieDrama
This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.
The Blacksmith of the ForestThe Blacksmith of the Forest · 1929
The Blacksmith of the Forest
★ 8.01929
MovieDrama
A blacksmith is chased out of the village by the sinister village chief and forced to move to the forest with his wife and two sons. The blacksmith's younger son is disabled, and the other children in the village tease him. The older son aspires to become a doctor in order to fix his brother's leg. The film depicts the bond between a father and his sons. Only 18 minutes survive.
Where Do Women Go?Where Do Women Go? · 1930
Where Do Women Go?
1930
Movie
Japanese silent film from 1930 with an acclaimed performance by Sumiko Kurishima.
Youth, Why Do You Cry?Youth, Why Do You Cry? · 1930
Youth, Why Do You Cry?
1930
MovieDrama
A modern girl suddenly intrudes into a widower's family home.
All-out Attack on SingaporeAll-out Attack on Singapore · 1943
All-out Attack on Singapore
1943
MovieWar
This film, which was recommended by the Ministry of Education, is based on the Malaya Campaign and the Battle of Singapore and was produced to boost morale. It depicts the Japanese Army’s advance from the perspectives of the artillery units and the “Silver Wheel” units (bicycle units).
NightingaleNightingale · 1938
Nightingale
★ 10.01938
MovieDrama
An episodic film about life in and around a rural police station and the people it serves.
Submarine Number OneSubmarine Number One · 1941
Submarine Number One
★ 7.01941
MovieWar
This film begins with a teacher describing to his students how brave the crew was which died as result of Japan's first submarine accident. The film then follows two of the pupils, one becomes a submarine captain and the other designs submarines.

Filmography

Sort
The Loyal 47 RoninThe Loyal 47 Ronin · 1932
The Loyal 47 Ronin
1932
MovieDrama
This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

Chotaro Kasahara