Manuel Rodríguez

Spain, August 1936, the first days of the Spanish Civil War. During the painful pilgrimage of the Andalusian writer Blas Infante (1885-1936) from prison to prison, always on the verge of death, various images cross his mind: people, dreams, remnants of his past.

It is summertime in a blue-collar, marginal district of a city in the South of Spain. Tano, a teenager currently serving a sentence in a juvenile reform center, is given a 48-hour leave to attend his brother’s wedding.

Maca is leaving in a week to study abroad away from her city, Seville. What she once envisioned as the future is now an imminent reality. Maca's inertia suddenly stops after having to face a host of new fears that will falter the decision that was once firm.

In a role reversal that is challenging for any young adult, Ali has become a caretaker to her mother’s delicate mental health. Scarred by the past, she chain smokes, refuses to learn to drive, and is terrified of falling in love. Ali spends her days working in a supermarket and the rest of her time off on misadventures with her friend. But when she meets Julio, her tough veneer starts to crack and she may have to amend her strict rules of non-engagement.

In an abandoned glass factory, a woman exploits her workers, all of them mentally ill. A gang of young assailants decides to rob said factory, but in order to achieve that, they must get one of them into the woman's house first. What they do know is that Maruja, the woman's goddaughter also lives there.

Every morning, during each breakfast, the Díaz family celebrates by singing of the extreme happiness they enjoy, even on those days that are sinister and stormy.