João Jardim

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

Nineteen people with differing degrees of visual impairment – from mild nearsightedness to total blindness – discuss how they see themselves, how they see others and how they perceive the world. Unusual images, of burning trees or empty deserts, link the interviews, which vary from deep to funny to poetic.

In 1917, Rebeca flees from hunger and war in Poland and arrives in Brazil to reunite with her husband and start a new life. In Rio de Janeiro, she discovers that her husband has died and ends up being held hostage by a large prostitution and women trafficking ring, led by the ruthless Tzvi. Rebeca transgresses her own beliefs and finds allies who are experiencing the same drama. Together, they decide to fight for freedom.

"Pro Dia Nascer Feliz" é o segundo longa-metragem do diretor João Jardim, diretor do cultuado documentário "Janela da Alma" que, em 2002, bateu recordes de público no gênero. Através de uma investigação do relacionamento do adolescente com a escola - ambiente fundamental em sua formação - o diretor traz à tona, além de questões comuns a qualquer adolescente dentro do ambiente escolar, questões como a desigualdade social e o impacto da banalização da violência no desenvolvimento de muitos desses jovens.

While a group of high school seniors from an impoverished area of Brazil prepare for an exam that can change the course of their lives, a journey of anxiety and personal drama unfolds before the camera.

The movie depicts the political crisis that led to the suicide of president Getúlio Vargas, in the 19 days that preceded August 24, 1954. The crisis began with the attempted assassination of journalist and politician Carlos Lacerda in August 5, 1954, at rua Toneleros, Rio de Janeiro, in which Major Vaz was assassinated instead. Investigations pointed to Gregório Fortunato, chief of Vargas' personal guard, as the orderer of the frustrated assassination. This incident was one of the most importants in the history of Brazil.

The dramatic documentary recounts eight stories of love affairs in which those involved experienced some kind of physical or psychological violence. The real cases are interpreted by professional actors. The question raised by the film is whether love can be freed from violence, prompting the viewer to reflect.

Raised in a conservative home, Engraçadinha challenges taboos and forbidden passions over two decades. Between desires, guilt and secrets, she lives intensely her loves and her sins.