Belén Blanco

Years ago, a cruel and merciless nun turned a boarding school into a living hell for her students until they could no longer bear the abuse, and she mysteriously disappeared. Now the alumnae are being brutally murdered one by one.

Ana returns to Buenos Aires to claim her inheritance. She meets her father's close friend Dr. Benedetti, a scientist, where he has discovered a doorway to another dimension which allows Ana to reconvene with the dead.

His mother has left and Gonzalo doesn't know why. How he is taking care of his little infant sister all alone, though he himself is barely ten years old. Neighbours help and try to figure out what should be done with the two children. Like old Felipe with his pub, the veterinarian Julio and his wife, or kind Lorena, who's stranded in the town. And gradually Gonzalo finds out what is really going on.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

A Spanish writer finds an old coffer with photographs of an Argentine man who fought and died in the Spanish Civil War, and of a woman. Her quest for answers brings Vera to the Argentine Patagonia.

Marita is a trans-sexual woman from a small town in Entre Rios, Argentina who lives a solitary life in a world that sees trans-sexuality as a misunderstood phenomenon instead of an identity choice.

The discovery of several tapes recorded in 1985, during the "Trials of the Juntas," inside the Anti-Subversive Museum of Buenos Aires, allows for a rare reconstruction of the dictatorship's discourse and reveals the residual power of the military even under democracy. This film illuminates a particularly dark historical period and creates a tension: the exposure of the dictatorship's triumphalist rhetoric and the mannequins as a spectral presence of the disappeared.

A taxi-boy breaks off his relationship with his girlfriend and begins a self-destructive love affair with another young man.