Belén Blanco

Years ago, a cruel and merciless nun turned a boarding school into a living hell for her students until they could no longer bear the abuse, and she mysteriously disappeared. Now the alumnae are being brutally murdered one by one.

His mother has left and Gonzalo doesn't know why. How he is taking care of his little infant sister all alone, though he himself is barely ten years old. Neighbours help and try to figure out what should be done with the two children. Like old Felipe with his pub, the veterinarian Julio and his wife, or kind Lorena, who's stranded in the town. And gradually Gonzalo finds out what is really going on.

The film is born on the threshold where the theatre becomes cinema. Without documenting the process, or explaining it, the film invents its own language. Calixto Bieito's radical approach finds a new thrust in the camera of Marcelo Piñeyro. The camera doesn't look in from the outside: it enters, listens, accentuates and reveals details invisible from the stalls. A hybrid experience, suspended between reality and fiction, where the two languages merge to tell a reinvented truth.

A Spanish writer finds an old coffer with photographs of an Argentine man who fought and died in the Spanish Civil War, and of a woman. Her quest for answers brings Vera to the Argentine Patagonia.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

A taxi-boy breaks off his relationship with his girlfriend and begins a self-destructive love affair with another young man.

Amidst the worn-out sets of Cinecittà, an ancient Roman aqueduct, and the Trevi Fountain, the two characters wander around with their solitary speeches. Disconnection is the death of love, and they are its ghosts.