Mauro Russo Rouge

Through the real life of Pandina and Pandone, RADIOPORNOPANDA explores the world of paid online couple shows. The journey of a couple who have made this type of expression their professional activity, told through the voyeuristic gaze of the director.

A man whose girlfriend was murdered takes revenge during the course of a single night. A spiral of shocking violence leaves no room for words. A man, his woman, three criminals and the distorted sounds of a city are the only reference.

Hermes and Betta are a middle-aged Italian couple who run the neighborhood pet store by day and organize extravagant sexual encounters with multiple partners by night.

Italian psychological thriller about a man who has s tense relationship with his family who likes to torture people in his home. Experimental. Dark lighting.

The story of 70-year-old Maurizio Candidi, an old-style playboy who loves the high life and had more than one thousand women. Between myth and reality, clarity and voyeurism, the figure of a melancholic seducer emerges.

Antonio Esposito, known as "Bostik" in the Spanish Quarters of Naples, is considered a true local legend. For many, the "real tomb of Maradona" is located there thanks to him. It all began in the 1990s when Antonio commissioned a mural in honor of the Argentine champion. Today, that square has become a tourist destination for football fans from all over the world.

Riccardo Trudi is a successful real estate agent, married, and the father of a daughter. For some time now, however, he has been plagued by disturbing flashbacks. Riccardo is also having an affair with his longtime colleague, Valeria.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.