Nikolai Rimsky-Korsakov

Lying in bed, Tsar Dodon dreams of retirement. The problem is, people keep invading his country. His astrologer offers him a golden cockerel with magical powers, a weather vane which indicates from which direction danger will come. In his case, it will be from the East in the shape of a charming oriental princess determined to conquer his kingdom.

Film version of the Rimsky Korsakov opera from the Pushkin story. Motsart i Salyeri (Mozart and Salieri), based on a legend that Salieri poisoned Mozart, meditates on the nature of creativity while introducing, in brilliantly compressed speeches, what was to be one of the important Russian themes—metaphysical rebellion against God.

Following celebrated productions of Prokofiev's 'Semyon Kotko' and Shchedrin's 'The Left-Hander', Valery Gergiev continues his survey of uniquely Russian works with 'The Golden Cockerel', Rimsky-Korsakov s final and, arguably, most mysterious opera. This vibrant new production mixes live action with CGI, and is the vision of Anna Matison, an acclaimed playwright, script-writer, film director and producer. 'The Golden Cockerel' was Matison s directorial debut with the Mariinsky, and saw her also take on the roles of production and costume designer. The melodious nature, beauty and leitmotifs of the plot are underscored by the production designs; the opera uses pantomime and masquerades, while the sets utilised 3D video projections.

Performances of three well-know compositions. An orchestra plays Flight of the Bumblebee. Carlos Ramírez sings The Donkey Serenade with a boy on penny whistle. Finally, Ramírez and Lucille Norman sing lyrics to Tales from the Vienna Woods. (This film appears in its entirety within MGM's short feature, "The Great Morgan")

The tale about a girl with a cold heart who is dying in agony because of joy and love.

American-dubbed, re-edited version of the 1953 Soviet fantasy film Sadko. Produced by Roger Corman's Filmgroup in 1962, it's shorter by 8 minutes, all music is removed, the names of characters are changed.

Conducted by Aziz Shokhakimov, the Orchestre Philharmonique de Strasbourg presents a rare work by Camille Saint-Saëns: the Oratorio de Noël. Composed in 1858 when the composer was just 23 years old, this cantata-like work is rarely performed on stage, making its performance quite unprecedented.

Troubled and alone, a boxer moves in with his long-lost mother and autistic pianist brother — but must fit in with a family he hasn't known for years.

In the old Russian city of Novgorod, the merchants are feasting in a gorgeous palace and Sadko is bragging that he can bring to their land a sweet-voiced bird of happiness. They laugh at him, but he is offered help by the Ocean King's daughter, who is mesmerized by Sadko's singing and is in love with him. The hero is destined to visit many lands in his search of the bird.

It’s Christmas in the Ukrainian village of Dikanka and the blacksmith Wakula is unhappily in love with Oksana, daughter of a landowner. She only wants to marry him on the condition that he gets her the Tsarina's golden shoes. In desperation, Wakula turns to the devil to fly him to the capital and help him procure the shoes. Will this be enough to win the hand of Oksana?

This musical film explores the origins of Russian opera at the Kirov Theatre and a deep commitment to the finest traditions of the operatic art.

Composed in 1888 by Nikolai Rimsky-Korsakov, Scheherazade is one of the most popular works in the Russian repertoire. Under the baton of Aziz Shokhakimov the Orchestre Philharmonique de Strasbourg performs this symphonic suite inspired by the Arabian Nights, inviting us on an enchanting journey to the Orient.

A film to classical music made using the pixilation technique - animation of a live set with a time-lapse camera. Panorama of the city shown to the rhythm of music imitating the rhythm of the flight of a bumblebee. The camera here plays the role of eyes - it is from the point of view of the flight of the insect that the world is shown. The image of the roofs of houses is coming closer or moving away. A chimney sweep standing on the roof abruptly dodges something flying at him...

To celebrate the New Year, the Orchestre National de France, conductor Yutaka Sado, and guitarist Thibaut Garcia take us to Spain through the works of Rimsky-Korsakov, Bizet, Joaquín Rodrigo, and María Rodrigo.

Based on the opera of the same name by N. Rimsky-Korsakov and the drama by L. May.

A famous writer of detective stories goes blind and becomes involved in a scheme organized by his lover and the gardener of the house.

Filmed adaptation of Rimsky-Korsakov's opera.

A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.

The French Youth Orchestra showcases young French artists aged 16 to 25. Accompanied here by pianist Alexandre Tharaud, the ensemble performs works by Shostakovich, Maresz, and Rimsky-Korsakov.

Film version of Rimsky-Korsakov's opera.

Opera lies at the heart of Rimsky-Korsakov's colourful idiom, but performances are few and far between; this realisation of his penultimate and grandest stage work is a very rare and special experience. Kitezh is known as "the Russian Parsifal", which encapsulates its mystical flavour and steady unfolding of a legend of redemption

A short compilation film made to be shown at Takarazuka Family Land which takes footage from several Showa era Godzilla films.

The film is dedicated to the historical period of the XI-XIII centuries, the times of Kyivan Rus and the Galician principality.

‘A beautiful song – a shame that it shows such disrespect to the Mayor!’ This remark from the score of The Golden Cockerel highlights the delicious ambiguity of this work. Principally inspired by Washington Irving and Pushkin, Rimsky-Korsakov called on the talents of Vladimir Belsky, an author of other libretti of a fairy-tale, legendary nature and an expert on Russian folk literature. The composer, a genius at orchestration, has given us sparkling music, with oriental touches, that creates fully rounded characters. This is the perfect occasion for Alain Altinoglu to direct his first opera in his new role as Music Director of La Monnaie. After the success of his Don Quichotte and Cendrillon, Laurent Pelly returns to La Monnaie to stage this exuberant political satire, an adventure in unrestrained rhythm. More than a century has passed since its first performance, yet the opera has lost none of its boisterous sarcasm.