Madeleine Renaud

The retelling of June 6, 1944, from the perspectives of the Germans, US, British, Canadians, and the Free French. Marshall Erwin Rommel, touring the defenses being established as part of the Reich's Atlantic Wall, notes to his officers that when the Allied invasion comes they must be stopped on the beach. "For the Allies as well as the Germans, it will be the longest day"

A married tugboat captain falls for a woman he rescues from a sinking ship.

Three stories about pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Madame Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falls in love with his model - pleasure and death.

In this comedy, a run-down hotel drums up customers by sabotaging passing cars. The stuck motorists are then obliged to stay. Unfortunately, one of the sabotaged cars belongs to a bank robber. The hotel staff wants the robber out, but they also want to keep his ill-gotten money.

Boubouroche, a decent guy, enjoys shopping and playing cards at the cafe with his buddies: Potasse, that he is quick to "scold" for playing the wrong card, Fouettard and Roth. For eight years, Boubouroche has been living with a woman he adores called Adele. Then one day over drinks, Boubouroche is shocked and dismayed to find out he is cuckolded... And has been for quite a while!

Jacques Averil leads an idle life which plunges him into weariness and melancholy. When he learns of the suicide of his father, a banker ruined by dark speculation in Icelandic minerals, he decides to take charge. An old friend of his father offers him the opportunity to join as a sailor.

Marceline, the young wife of the florist Jean, can't help flirting with other men, but her brother Clo-Clo takes the poor husband's side against his sister.

In the eighteenth century, during a revolution in Karelia, an aristocrat, Armas de Murnau, fought alongside the revolutionaries. Captured, sentenced to death, he will try everything to see the woman he loves.

A shimmering glass hotel at the top of a remote Provençal mountain provides the setting for a tragicomic tapestry about an obsessive love pentangle, whose principals range from an artist to a hotel manager to a dam worker.

This drama about the Carmelite order of nuns is set during the French Revolution. A young woman seeks refuge with the Carmelites because she is terrified of dying during the upheaval. The longer she associates with the nuns the more she is transformed by their faith and devotion. 

An engineer is hired to plan and oversee the construction of a undersea tunnel between Europe and the US. However, certain interests don't want to see the tunnel built and use every means at their disposal, including sabotage and murder, to stop its construction. French-language version of the 1933 German DER TUNNEL, q.v.

An urban gigolo on the run from a mobster hides out at the remote cabin of a female novelist in this plodding romantic drama. Her neighbors include an elderly man with a penchant for growing sunflowers and an unhappy neighbor girl with emotional problems. Love blossoms for the unlikely couple who somehow realize their liaison is doomed to failure.

Sitting at his desk, Guitry gives us a lecture on French history from Joan of Arc to the Occupation, with some focus on a number of its great writers and musicians.

An untiring lady social worker, Émilienne, has as one of her charges a stableman who was wounded by his mistress. Unfortunately, Émilienne's young sister who was helping her at work decides to go away with the stableman.

A barge captain saves Marinette from drowning and soon marries her. On the wedding day, Sylvestre, the captain’s best friend, falls in love with Marinette.

Outwardly, Monsieur Victor would appear to be the model citizen. A respectable Toulon shopkeeper, he has a devoted wife and is courteous and considerate to all who know him. However, beneath this veneer of respectability hides a notorious receiver of stolen goods, who trades with hardened criminals. Victor manages to keep up his double life without any difficulty until the fateful day when one of his partners in crime threatens to expose him. Fearing a scandal, Victor kills the crook in a moment of panic, using a shoemaker's tool. Naturally, the murder is blamed on a local shoemaker, who is sentenced to ten years' hard labour. Seven years later, the former shoemaker reappears in Toulon, having escaped from prison. The first person to recognise him is Monsieur Victor...

Maxime, heir to an old provincial family, is deeply in love with Maud whom he makes his fiancée. But learning that the young girl's life has not always been beyond reproach, he refuses to marry her and returns to his castle in the company of his sister who, happier than him, has met a man worthy of being in Paris. love.

Paris, seventies. In a hotel in the glittering Rue de Rivoli an English boy falls in love with the two young grandchildren of the owner. Based on the novel "La Mandarine" by Christine de Rivoyre.

A young woman has three suitors on her father's logging ranch on the Quebec frontier.

An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.

An evocation, realistic and poetic at the same time, of Proust's work " in which he is locked up as in the room ". Halfway between the audiovisual adaptation and the portrait of the dandy and reclusive writer, all in black and white signed Claude Santelli, evoking the mystery, the intimate, and the fatality of existence.

The strength of a couple's fascination with airplanes and flight is to the detriment of their family.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.