Leonid Kharitonov

Ivan Brovkin finishes serving in the army with the rank of sergeant and, together with a group of comrades after demobilization, decides to go to the development of state farm. He arrives at his native collective farm and meets there a cool welcome: the chairman of the collective farm, the bride Lyubasha and mother — consider him a traitor. The planned wedding is canceled, and Brovkin leaves for the state farm. Brovkin comes to the state farm at the time of plowing the land. He joins the team. Winter passes after working days. In letters home he writes that everything is fine with him. News about how Ivan lives is spreading throughout the village. Lyubasha is seriously thinking about running away from home to the state farm...

A comedy about a civil registry official whose job is to register newlyweds and who just discovered that her husband has been cheating on her for 3 months, her daughter met a guy she doesn't approve of, and her life has suddenly become a fuss of the fusses.

A comedy based on a classic play 'Revizor' by Nikolai Gogol.

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?

This exhilarating two-part film (“Soldier Ivan Brovkin” and “Ivan Brovkin on the State Farm”) presented to the country a new national hero – kind, modest, charming and… ne’er-do-well. That “ne’er-do-well-ness” proved “Kharitonov’s special key to audiences’ hearts”. Following Brovkin’s appearance on the screen, Kharitonov had become a star of the national cinema, an idol for millions of people. His incredible popularity may be compared to that of another national hero – the world’s first cosmonaut Yuri Gagarin. And not surprisingly, it was Kharitonov who made a cameo appearance going up the festival stairs and followed with the adoring eyes of the heroines in V. Menshov’s Oscar-winning melodrama “Moscow Does Not Believe in Tears”.

Based on the novel of the same name by Grigory Svirsky. 1942 year. The Great Patriotic War. The navigator Bratnov was shot down during the war, was captured, fled, returned to his people, was demoted and sent to serve in the construction battalion. His old front-line comrade Major Kabarov accidentally met him and took him to his unit. Kabanov, knowing about the lack of experienced navigators, is seeking to transfer Bratnov to his air force in the Northern Fleet, in the Arctic, to a tiny rocky island — "to the ends of the world."

High school student Andrei Goryayev faces a criminal liability for a hooligan misconduct. A compassionate witness pities the young man, and he is released. Having quarreled with his father, Goryayev leaves home and wanders around the capital until he accidentally finds himself in a new district of Moscow: at a construction site in Cheryomushki.

During the war, the Germans exported breeding horses from Russia, among which was Ermakov’s favorite. After the war, he managed to find her and return her to Russia, but the tribal certificate was lost. And now, forty years later, the granddaughter of this horse - the magnificent race mare Secunda - is being sold for pennies at an international auction to a certain Baron von Ritter. Ermakov guesses about the true owner of the “lost” document and, in the end, returns it to himself.