Lilja Þórisdóttir

Magnús is a 45-year-old lawyer, whose routine is upset by the personal news that he is suffering from cancer. This causes Magnús to stop and think about himself, his life and his family. If his life is going to end sooner than he expected, he wants to know how much it's been worth to him. Has life been worth living? Is it worth fighting for; is it worth a struggle against death? He takes a look at his family, a group of ordinary people, who are the colourful heroes of everyday life, struggling along in a world far removed from the world of high finance, power politics and international intrigues, but yet to them their lives are lives of high adventure. Those adventures, from the sublime to the ridiculous, form the storyline of the film, told against the background of Magnús' dilemma.

Löggulíf is the third movie in the "-life" trilogy of knockabout comedies about the cheeky lads Thor and Danni. The others are New Life and Pastoral Life.

A woman arrives to Iceland and decides to travel into the country with her daughter to take one last look into her past.

Hubert is a shy and introverted graphic designer who hasn't been too successful when approaching women. When he falls in love with Hanna, he tries to impress her by resorting to mimicking his boss, a notorious womanizer. This tactic works as an ice-breaker, but soon things get out of control, with unforeseen consequences.

Tommi and his half brother Kiddi travel through Iceland with a money transport. A reunion develops into a nightmare after picking up the hitch-hiker Lísa.

Stranded in a small village during Earth's final days, a man seeks solace in the brief human connections he encounters.

A young couple moves into an old house. She teaches deaf children, he is a musician, working on his own compositions. Their separate worlds, one silent, the other full of sounds, create a vivid pattern of contrasts, which affect their emotional lives and their living together. From the time they move into the house, they are strangely aware of something odd, especially she, while he concentrates more and more upon his work. A series of incidents adds to her growing uneasiness about the house. Its past seems to creep in on her. She feels as if some tragedy must have befallen the people that lived there before, but when she starts asking around she gets few answers. There is something about the house that seems to be on the verge of overpowering her - something that in an unexpected way is related to her origins and permanently affects her life and destiny.

Some people have to live their lives on a constant look out for snakes. Some even have to wear boots all the time. But people in Iceland have the privilege of just wearing whatever shoes they want – without any worries.