Mabel Lozano

A streetwise New York police officer transforms into the world's most unusual superhuman hero.

Antonio, a television scriptwriter, decides to separate from Ana, his wife, with whom he has three children in common.

A womanizing lawyer follows his wife and son to a trip to Egypt in a last-ditch effort to make up for his infidelities. Also travelling to Egypt is a bumbling police chief who's desperate to keep his rebellious daughter from becoming a showgirl. The two meet during a Nile cruise. Calamity ensues.

This movie doesn't have any coherent plot. It's the portrait of the lives of different people in the hard years of post-war in Spain (the 40's), and how they manage to survive in a country desolated by the war. Like other films: La colmena or Roma (Fellini) it shows us lots of characters and some moments of their lives.

A radio station receives a call from a psychopath who claims to have murdered many women. He leaves a series of clues that lead to his next victim, propelling the cops to find him before he kills her.

Luis must pass himself off as a woman when he is discovered at the home of one of his lovers. In his role as a woman he meets another woman, with whom he strikes up a friendship or something more.

With great humour, love and insinuations, Mabel Lozano tells us in first person of her journey with a pea-sized lump in her left boob. But this isn't only Mabel's story, it's also that of millions of women.

Forty-two-year-old Lorenzo finds himself out of work. Through an ad placed in the local newspaper, he gets a job as a helping hand for an aging homosexual poet who can barely manage on his own. From this moment on, Lorenzo juggles his strange line of work with the life he leads alongside his long-suffering wife and his secret encounters with Faustina, his lover. Everything goes awry from one day to the next due, amongst other things, to some compromising photos and an unexpected funeral.