Augusto Genina

A bank employee who stole money at work falls in the hands of a dangerous escaped convict whose girlfriend is going to help him out of this mess.

The movie is about a student in Turin during the 1920s (moved up from the earlier versions) and his love for a a seamstress. The student, Mario, is played by Walter Slezak; the girl Dorina by Carmen Boni. The femme fatale Elena (Elena Sangro) threatens the relationship. When school days end, seen here as a kind of transitory idyll, it is "farewell to youth" as the title states, and a melancholy goodbye to youthful romances as well to allow new lives to take form.

A story of the love of Frou-Frou - an actress and singer in the in the beginning of her career.

Roger, editor of a women's magazine, meets Roberte, his friend Jean's former mistress, at a major couturier's during a collection presentation. Roberte, who now lives in Florence with her niece Maria, asks Roger to arrange a student exchange so that Maria can come to Paris to perfect her French. Roger approaches Jean's son Philippe, a student at the Beaux-Arts, who agrees to go to Florence. Maria and Philippe meet on the platform at Pisé station. They miss their respective trains and take a walk together. A flirtation begins, then each goes back to the other. Jean finds Maria charming and, like an unrepentant Don Juan, decides to win her over, but thanks to his old maid, his intrigues come to nothing and Maria can marry Philippe.

In L'innamorata, Almirante is at the zenith of her career, starring as Mara Flores, a vampish society lady, who casts her eyes on Carlo, an electrical engineer and director of a powerplant. Although attracted to Mara, he rejects her, and she immediately turns around and sinks her fangs in his best friend and future brother-in-law, Franco. Not possessing Carlo's self-composure, Franco takes up with Mara, and it leads him to his ruin and death. Now, Carlo does fall under Mara's spell, and as their passion intensifies, it becomes clear that there will be no happy end to this story.

Set during the Spanish civil war, the story of a commander of a fort Alcazar in Toledo, faithful to general Franco.

Totte works in Paris when she meets the wealthy Renato. Renato's father wants him to marry so to fool him he proposes to Totte.

Mario Esposito, who sings in a Neapolitan restaurant, is in love with Assunta, the niece of Teresa, the owner of the place. He shares his apartment with Michel, his best friend. This one has fallen under the spell of Lolita, a gorgeous adventuress he met at the cathedral where he officiates as the organist. But things go awry as, while Michel intercedes with Aunt Teresa for Assunta's hand in his favor, Mario in turn falls in love with Lolita. On the very day of his wedding with Assunta, Mario runs away with Lolita, thus betraying both his love and his friend. But it does not take long before the young singer realizes the big mistake he has made.

The young Augusto Genina directs this matrimonial comedy with verve, capturing the right tone and rythms. The Count and Countess Valmonte are a likeable and close-knit couple, but he spends too many evenings at his club, at least as far as she is concerned. Is there something behind these absences?

A homeless girl gets taken in by a painter.

Lucienne, typist and gorgeous bathing beauty, decides to enter the 'Miss Europe' pageant sponsored by the French newspaper she works for. She finds her jealous lover Andre violently disapproves of such events and tries to withdraw, but it's too late; she's even then being named Miss France. The night Andre planned to propose to her, she's being whisked off to the Miss Europe finals in Spain, where admirers swarm around her. Win or lose, what will the harvest be?

Early Italian pirate adventure.

While recuperating from their injuries in a hospital, three young women flash back to the events leading up to the catastrophe. Remata (Lia Amando) has spent her entire life trying to overcome a childhood rape. Annamaria (Antonella Lualdi) has recently come out of an unfortunate marriage to a wealthy but insensitive boor. And Gianna (Eleanore Rossi Drago), the daughter of a college professor, has ruined her life with narcotics.

In the spring of 1913, Jean Servin, a son of a family, became friends with Roberte, a little midinette. He leaves her a few months later to marry Cécile Breton. The years go by. Jean becomes an important businessman. One evening, he meets Roberte, who has become the wife of a wealthy American. She does not love her husband any more than he loves his wife. They recall their memories. They seem to still love each other. They plan to rebuild their lives. Together, they will spend a few days in Dieppe, as they did in the past after their first meeting. They feel so different from what they were twenty years ago that they understand that the past cannot live again.

Cyrano de Begerac is joyous, witty, a poet, a leader and filled with plenty of charisma and bravado in 17th Century France. He has only one flaw: an unusually long nose which makes him unattractive to any woman. Thus, he cannot have the woman he loves, his cousin Roxanne. Roxanne loves an officer in his army who gets tongue-tied in front of women. Who will Roxanne love? Will Cyrano ever find love? Or will he find happiness in helping the officer woo Roxanne? This is a story of split personalities, human frailty and unrequited love.

A wardrobe mistress at a Vienna theatre wins a competition, receiving as her prize a luxury tour round Italy. On the train she meets an impoverished young Italian who pretends to be a prince.

Told that he is to take charge of his grandson, a misogynistic old nobleman is taken aback when he discovers that "he" is actually a "she." At first rejecting the girl, the old coot finally comes to love and accept her.

Unlike most Italian films of the 1940s, Augusto Genina's Cielo Sulla Palude opened in Venice rather than Rome. The film's American title was Heaven Over the Marshes, and indeed most of the story is set in the disease-ridden Pontine Marshes on the outskirts of Rome. This was the home of Maria Goretti, a pious young girl who was murdered by her would-be seducer. For reasons elucidated in the course of the film, Maria's short time on earth made her worthy of Sainthood, which was actually bestowed upon her shortly after the release of this film. Maria Goretti is well-played by Ines Orsini. Cielo Sulla Palude served as the comeback feature for director Augusto Genina, whose previous pro-fascist films had caused him to be blacklisted after WW II.

This rare 1935 film (the title translated means "do not forget me") features Beniamino Gigli as, of course, an Italian singer who warbles his way through a touching love story. Features musical selections from "Il Trovatore" and "Rigoletto" as well as a lullaby and some Neapolitan songs, including the title tune. Distributed by New York's Bel Canto Society (an organization of hard-core opera buffs).

After 8 years of marriage, a couple 20 years apart accuse each other of marital boredom.

Lieutenant Mario Ludovici, an army officer, gets himself transferred to a Libyan post when his romance with society girl Cristiana goes on the rocks. Ludovici is looked upon as a weakling by Captain Santelia, the hard-boiled commander of the troops, but after a bitter campaign against a rebel tribe Ludovici proves his true worth and returns as commander when Santelia is mortally wounded. Cristiana arrives and tries to entice him to return to Rome, but he decides to stay in Africa with the army.

In order not to compromise the great music hall star with whom he spent the night, a man is accused of a murder he did not commit.

A femme fatale falls in love with a Venetian count, implacable enemy of Selim, who pursues his sister with his diligence. This one makes stop and condemn to death the count who made an attempt on his life. Then he offers the woman her father's salvation in exchange for her favors. A snake kills him, the count is shot and the woman finally takes the veil.

There’s a war on, yet the last days of October pass by “sunny and tranquil” as warm rays light up an expansive ocean. The grand liners Titan and Oceania cross the Atlantic to Europe. Yet under the seemingly placid surface of the water looms the threat of submarines, “vipers of the sea”. The Oceania is torpedoed and quickly sinks. After the dramatic intensity of the opening, however, Il siluramento dell’Oceania seems to swiftly abandon the echoes of the Lusitania and its burden of tragedy, channeling itself into the more frivolous tides of the typical adventure drama fashionable at that time, unafraid of either improbable coincidences or clichéd characters. Cecil Tryan plays the heroine, a beautiful heiress unjustly banished with her mother from her ancestral castle. She weeps at the thought of no longer being able to order seven dresses in one go from her tailor, and ultimately falls in love with the courageous captain, also a survivor, who saves her life and fortune.