Jalal Shammout

In the late 30s, the family of the sailor Salah Hazoum arrives in the city of Latakia coming from Alexandria. His son Saeed searches for him in vain after he hears many rumors about his disappearance. The son decides to become a sailor like his father and works on a boat with Captain Abdosh. Based on the novel 'Dagal' by Hanna Mina.

The film deals with the current and urgent Syrian issue, through the story of a journalist and a doctor, who belong to two different backgrounds in the city of Homs. The dialectic of their relationship begins through a kidnapping operation, and a desire for revenge. They find themselves in a semi-abandoned house amidst a state of ruin, danger and fear. In contact with the bleeding future, the days bring them many radical changes, so that together they will be a different tomorrow.

We are all drops in the river of life that we flow through, and in the film we see the pain of some of these drops and their life experiences, and their struggle between the harsh circumstances that drag them down and frustrate them and the desire to be freed from the suffering and rise again or settle down due to the circumstances imposed by the necessities of life.

The series goes into details of the events that Syria went through between the years 1955-1959, including the tripartite aggression against Egypt in 1956, the establishment of unity between Syria and Egypt, and the revolution against the monarchy in Iraq, through the Qishani neighborhood, where its people work as merchants, lawyers, doctors, intellectuals and other works.

When the Abbasids overthrow the Umayyad Caliphate in Damascus, slaughtering nearly the entire dynasty, one young prince escapes — Abd al-Rahman. Hunted across deserts and seas, he eventually reaches the fringes of the Muslim world and, through sheer will and political genius, founds a new Umayyad emirate in Andalusia. Written by Walid Seif and directed by Hatem Ali, this is the first chapter of their celebrated Andalusian trilogy — epic, human and historically meticulous.

The events take place in Al-Attarin neighborhood after Etab flees for being accused of adultery by her brothers, while Fawzan is ready to do whatever it takes to extend his power.

A sweeping historical epic tracing the life of Saladin from his humble origins to his unification of fractured Muslim kingdoms and his legendary recapture of Jerusalem from the Crusaders after nearly a century of occupation. Starring Jamal Suleiman and directed by the late Hatem Ali, written by Walid Seif — the same partnership behind Palestinian Alienation — this is widely regarded as one of the finest historical dramas in Arabic television, epic in scale yet deeply human in its portrayal of leadership, faith and sacrifice.

Nader is lost between his parents, who are experiencing a struggle between love and hate, Lulia, who is persecuted by her stepmother, Dalal, whose hatred for her stepdaughter reaches the point of attempting murder. Dalal considers Lulia the reason for her unhappiness, but when Lulia leaves her life, she discovers her mistake. Tahseen her husband can only run away from problems and cannot solve any of them.

The second chapter of the acclaimed Andalusian trilogy by Walid Seif and Hatem Ali. Set in the golden age of Umayyad Cordoba, it traces the extraordinary rise of Muhammad ibn Abi Amir — known as Al-Mansur — from a young scholar arriving in Cordoba seeking knowledge, to the most powerful man in Andalusia. A sweeping story of ambition, political genius and the glittering, fragile peak of Arab civilisation in Spain. Stars Taim Hassan and Jamal Suleiman.

Chronicling the Basus War between two Arabian tribes and their allies, the drama follows the emergence of renowned Arab figure, Al Zeer Salem.

A female screenwriter in Damascus, Syria is politically detained which drastically affects all aspects of her life.

A seemingly fake marriage sets the stage for a journey of unexpected turns, propelling two souls towards genuine affection; a choice awaits-unite in their adventure or embrace separate paths.

Naji Saeed is a ruthless Damascus businessman who built his empire by climbing over everyone beneath him. When Nader — desperate and naive — walks into his orbit seeking money, he finds there's no clean way back out. A Syrian social drama that traces how class, greed and moral compromise trap people in invisible prisons long before any actual bars appear. Starring Bassam Kousa, Bassem Yakhour and Sulafa Mimar. Directed by Allaith Hajjo.

The series begins its episodes with the most sacred relationship, which is love, bringing the story of Romeo and Juliet back to our time with a contemporary story based on the flashback method, and recalls events from the beginning of the millennium up to our present time.

The series revolves around a conflict among numerous princes, where each prince believes he is the rightful ruler to unify the kingdom and end the fragmentation plaguing the land.

Essam and Ragaa experience unsolvable problems and disputes over one of Essam's colleagues. These disputes increase to affect their children negatively over time.

Shaghaf is married to the owner of a gambling hall, whose cousin Karim is trying to kill to have his wife for himself. Then Shaghaf falls in love with Sewar who tries to help her and events develop between them.

The show tells the story of a playwright, Jalal, who holds secular views, and his close friendship with Michel, his childhood friend. Michel initially worked as a lawyer but later transitioned to journalism, founding his own magazine in which he boldly addresses societal issues, drawing significant criticism. Additionally, the narrative explores themes of separating religion from civil and political life through a love story between a man and a woman from different faiths: Jalal (a Muslim) and Hanan (a Christian). Their relationship culminates in a secret marriage, which lasts until Jalal’s sudden passing. Throughout the story, the work focuses on two major issues related to secularism: the demand for a civil personal status law that permits civil marriage, and the call for a secular education system that allows students the freedom to seek their own truths instead of being indoctrinated with a predetermined "absolute truth." It also tackles issues of political and social corruption.

In a dramatic and social framework, Abu Mansour’s children work hard to improve their financial conditions, but they encounter major life obstacles, which they try to overcome.

The events revolve around social relations that are built on love and affection, through a love story between two people that doesn't work out due to the excessive ambition of one of them, which makes the other refuse to continue the relationship, despite how much they love each other.

Fadeela tries to move on after the death of her husband and son in an accident, while Amjad, her son, tries to help her. Amjad meets by chance his childhood sweetheart, Azza, in his new job. A love story between Azza and Amjad, whose hopes and efforts are united to make a happy family. But their love faces unexpected obstacles which turns into an inescapable parting story.

The series examines the change in the composition of the Syrian family, through the life of a number of Damascene families that are connected by a number of intertwining relationships, as love blossoms between the lawyer Riyad El Emary and the interior designer Riad El Merady.

After their step-mother humiliates them and exposes their immoral past, sisters Warda and Shamiya kill and bury Aziza in their house, and all hell breaks loose.

Al Ghadr "The Treachery" is a Syrian TV series with a detective theme, consisting of 31 episodes, based on the novel “The Bread Peddler” by Xavier de Montépin.

The Halaby family works in trade. When the father decides to write all his property over to one of his sons, the two brothers clash, until the eldest brother falls ill, and his younger son is forced to give up his ambition to take care of their business.

The series deals with social stories of several different characters who carry the same obsessions, fears, and concerns, and then their paths intersect in a way that makes them unite with each other to overcome those fears.

A businesswoman seeks to exploit some girls to achieve her personal interests by having them work as dancers and forcing them to do whatever she asks, whatever it is, and the stories of these women come across each other.