Jorge García Besné

Agent Joaquin recalls his latest mission while lying wounded in an ambulance: Joaquin has infiltrated into a band of smugglers. When the villains learn the truth about him, they kidnap Jouqin's fiancee. Santo comes to her rescue and fights the band.

Wrestler vs mad-scientist with werewolf serum.

The vampire women of Mexico have awakened to take their revenge on the descendant of the man who destroyed them shortly after they had emigrated to Mexico during the 19th century.

Carlos, a former factory worker of humble origins, has made millions - but the upper class refuses to accept him as one of their own. Meanwhile, Barbara, the spoiled daughter of an industrialist, is to enter into a loveless marriage of convenience. Tensions arise when the two fall madly in love.

In his first film El Santo was still referred to as ‘El Enmascarado’. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba 1959.

This film traces the unbelievable true story of the Calderón family, who built grand movie palaces in Mexico and the U.S., employing thousands to produce incomparable, hugely successful, and often reprehensible populist-genre films that were utterly and uniquely Mexican.

The story of the doomed love between Soledad and Román. She is the daughter of a rich man that wants to marry her with Ernesto, nephew of his friend, the judge. Román owns a little ranch. A brawl in the town will unleash several deaths that will affect the already difficult relationship.

Legendary masked wrestler El Santo must stop a criminal gang.