Sylvia Pasquel

Follow up to Maria Isabel. Newly wed to a rich man, Maria Isabel must still struggle with being branded as a lowly maid and endure the scorn of her adoptive daughter and the infidelity of her husband.

An anodyne environment and a perennial lack of affection, push Lucia and Braulio to turn in the fiction world; to materialize their dreams. Neither inclement reality can stop them.

A successful and somewhat vain lawyer loses her mobile phone and is contacted by a stranger who wants to give it back. Charming and interesting, their instant connection blossoms but everything changes when they meet and she discovers a tiny little detail about him: he's rather short.

A Nazi scientist using the lost city of Atlantis as his home base threatens to destroy civilization with a nuclear bomb. The Nazi scientist wants the third Reich to rule again and if his demands are not meet he will follow through on his threat of nuclear annihilation. With very little time to spare Santo is enlisted to find the nuclear bomb, disarm it and end the Nazi scientist’s diabolical plan

Mexico City. Every day, Beatriz is insulted and humiliated by her jealous husband, but she does not flee his side because they have created a codependency and, at least for her, she would not conceive of her life any other way: by dint of feeling humiliated, she feels desired and desirable.

Young woman looking for a rich husband, sets her sights on a very pious and old-fashioned neighbor.

Estela Duarte is divorcing her cheating husband, has moved her two children in with her mom, and has taken the only writing job she can find - as a reporter for the tabloid, El Grito. She covers a series of grisly murders and mutilations of well-dressed women, each of whom turns out to be a mistress of rich men, including her father-in-law. She sees patterns and shares them with Ibarra, the cop in charge of the investigations. Her editor gives her professional support, her friend Laura gives her emotional support, and her mother helps her guess when the next murder will occur. But will all this be enough to protect Estela and Laura from danger?

A gunfighter is appointed sheriff of a town that is terrorized by a gang of criminals.

An ordinary day's hike gets rough when two youngsters escape from the main group into the woods and, after finding a grotto, discover that there is more to it than just darkness.

Bank janitor has comical misadventures and ends up training in a Police Academy.

A group of young adults find love in a discotheque.

Two wrestlers decide to go to a hotel in order to meet two prostitutes.

Mexican feature film

A young peasant falls in love with his American boss, creating nothing but trouble for his Mexican girlfriend and his family.

In this movie, Rafael Inclán stars as a man who claims at work that he is the "boss" at home but the truth is that his wife is the one who rules the house.

The owner of a beauty salon and her employees discuss their lives and their struggles to get ahead in life.

In rural Mexico, a young man competes with his best school friend for the love of a girl whose marriage has been arranged by her parents.

Young woman falls in love with a cub reporter who's investigating the illegal activities of her father. Then there's secret marriages and secret murders and secret babies and... family melodrama in full flower.

Mexican feature film

Huracán is a Mexican telenovela shown in Mexico from October 13, 1997 to March 27, 1998, starring with the late Jorge Russek, Fernando Balzaretti, and Eduardo Palomo.

Yo Amo a Juan Querendón is a Mexican telenovela that aired on Univision at 7pm/6c for one year beginning in February 2007. The plot surrounded the story of Juan Dominguez and his interactions with the Cachon Family. The program was a remake of Pedro El Escamoso, a Colombian telenovela.

The Poor, Rich Family is a story of love, romance, twists of fate, and countless amusing situations involving two families with nothing in common—yet who are now forced to live under the same roof. On one side are the millionaire Ruizpalacios family; on the other, the Mendonças, a classic working-class family.

In the village of San Andres, the rivalry between two families the Valdes and the Ramirez is centered on "El Manantial", a beautiful fountain of water that happens to bathe the small property of the Valdes and not the neighboring ranch, the rich and prosperous hacienda "Piedras Grandes", where the best cattle are raised and is property of the Ramirez. But the spring is not the real reason for the hatred between the families. Justo Ramirez, married to Margarita Insunza, had a relationship with Francisca Rivero, wife of his enemy and neighbor Rigoberto Valdes. This relationship, founded in the betrayal, will cause the utmost bitterness and the destruction between the two families. The Valdes have a beautiful daughter named Alfonsina, who was born in the same year as Alejandro, the son and heir of the Ramirez. Although they have grown separately with their souls full of prejudices against their respective families, the two cannot avoid feeling attracted to each other. Margarita will not permit this and so she tells her husband to make sure her son will never be together with Alfonsina so he could marry Barbara, her cousin's daughter. Justo rapes Alfonsina and she leaves along with her mom and her aunt. Five years later... Alfonsina is graduating from school and has a good life until her mother commits suicide because she found out she was deathly ill and could no longer live with the guilt of her lifestyle. Before dying, her mother confesses to Alfonsina that Justo Ramirez destroyed her life and after that Alfonsina vows revenge on the man who destroyed her family. She returns to San Andres and there she once again sees Alejandro who is now engaged to Barbara. Their love is still present in their hearts. They will have to fight for their love and see if they can be happy by the shores of El Manantial... El Manantial is a Mexican telenovela that first aired in 2001, starring Adela Noriega and Mauricio Islas. The telenovela received TVyNovelas Award for Best Telenovela, in 2002.

Mi destino eres tú is a 2000 Mexican telenovela. It is a production of Carla Estrada and the protagonists were Lucero and Jorge Salinas.

Días sin luna is a 1990 Mexican telenovela produced by Juan Osorio and directed by Rafael Banquells based on an original script by Eric Vonn. It was aired in Canal de las Estrellas Monday to Friday at 17:00 between May 14 and August 31, 1990.

Eduardo invites young people from all over Mexico to join his new group, but at the last minute, Lorena shows up, and he decides to leave the group to accompany her on her world tour. It is then decided that the group will be formed without him; Jessica, Pablo, Marimar, Jorge, Silvana, and Miguel Angel are chosen to join, setting out in pursuit of fame and success as "Bonecos de Papel." The common struggles faced by these young people and the group's banter reflect this journey.

Luciana, a psychologist, is torn between love and loyalty. After being rescued from a robbery by prosecutor Roberto Roldán, they feel a strong connection. However, Roberto is investigating a hit-and-run involving Adrián Ferrer, whose father, Enrique Ferrer, is the presidential candidate and Luciana’s godfather. As Roberto gets closer to the truth, Enrique’s future is at risk. Luciana must choose between supporting Roberto in his quest for justice or protecting her family.

Amarte es mi pecado is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from January 5 to May 14, 2004. Created by Liliana Abud, with adaptation by Jaime García Estrada and Orlando Merino, the story follows Leonora Madrigal, a young woman whose life is marked by betrayal, sacrifice, and forbidden love. After being accused of a crime she did not commit, Leonora faces the consequences of a painful past while trying to rebuild her life and find happiness. The telenovela explores themes of love, revenge, ambition, and redemption.

Las secretas intenciones is a Mexican telenovela produced by Lucy Orozco for Televisa and originally broadcast on Canal de las Estrellas from August 17 to November 27, 1992. Created by Alberto Rudich and directed by Francisco Franco, the telenovela stars Yolanda Andrade and Cristián Castro in their first leading roles. The story follows Larisa Cardenal and Miguel Ángel Curiel, two young people whose romance is threatened by family conflicts, hidden secrets, and the manipulations of Antonieta Alcántara, a woman determined to take revenge on Larisa's family. As long-buried truths come to light, their lives become entangled in a web of love, betrayal, and ambition.

Para toda la vida is a Mexican telenovela produced by Lucero Suárez and Juan Osorio for Televisa, in co-production with Megavisión, and originally broadcast on Canal de las Estrellas from April 15 to August 2, 1996. It is a remake of the 1985 telenovela Vivir un poco, which was itself based on the Chilean telenovela La madrastra by Arturo Moya Grau. The story follows Elena, a woman who is wrongfully convicted of murder during a trip to Chile. After spending fifteen years in prison, she returns to Mexico under a new identity to uncover who framed her, expose the truth behind the conspiracy that destroyed her life, and reunite with the family that believes she died years earlier.

Michi and Marie Claire come face to face as they try to get close to the Urquiza family, one of the richest families in Mexico. There are no holds barred as to who comes out on top.

Gael Urrutia is a successful advertising executive, head of Urrutia Publicidad in Mexico City. He leads a charming life and enjoys a very good reputation until his wife asks for a divorce after discovering he's cheating on her. Mexican remake of the argentinian TV series of the same name.