Stanislav Weiting-Radzinsky

About the uprising of Ukrainian peasants under the leadership of the national hero Karmelyuk against landowners and Polish gentry. In the 1830s, Young Count Piglovsky returns to his estate from Paris. The carriage in which he is riding is surrounded by rebellious peasants. Their attempt to hang the master is canceled almost at the last moment, because it is not the count in the carriage, but his lackey - Ustym Karmelyuk. Ustym really serves as a lackey in the count's house and at the same time leads a peasant uprising. The government sends the army. In a fierce fight, Karmelyuk is almost captured, but he is saved by one of the serfs.

The clockmaker practices what is known as \"parental rights\" – he mercilessly beats his son Boris for every misdemeanor. The boy grows up intimidated, angry, trusting no one, and befriending no one. One day, while the students at the polytechnic school where Boris studies are busy with a physical education class, he deliberately destroys a model that the students have worked so hard to build. The teacher prevents a cruel punishment of the culprit. The school community takes on the responsibility of re-educating Boris. Considered lost.

The year 1929. A “shock worker” from a tractor plant visits a film studio premises and is furious to see fake stage designs for a kitsch production about a Soviet life. He refuses to help the crew with his tractor, but is happy to ask one of the cameramen to go with him to visit an actual Soviet village. There they witness the birth of the kolkhoz and the dekulakization of wealthy villagers. Then they are transported to the future, to the year 1932, when the first five-year plan is done and the commune-sovkhoz is established. Movies can move faster than time, but the pace of change in Soviet society is even faster than that.

About a clash on the open sea between Soviet sailors and a group of White Guard officers. Lost movie.

It is a history of founding Odesa at the location of former Turkish fortress Khadjibey.

The action takes place in the early 1930s in the fictional Asian state of Gulistan. The construction of railways in the country is hampered by a strong foreign state. Under the guise of a “saint from Mecca,” a saboteur-provocateur arrives in Gulistan. Carrying out the will of his masters, he incites the people to hostility against any progressive actions in the country, preparing an uprising with the aim of causing foreign intervention. But the Gulistans expose the “saint”; their faith in the USSR is unshakable...