Xavier Tort

Tony, the owner of a small fantastic film video shop, has found out that at times reality can defy science-fiction. The time has come to embark on a trip to a place nobody has ever been to before.

The tavern where the action takes place is the waiting-room of Hell, the first door through which the inhabitants from the other side of the mirror will return.

Exasperated and megalomaniac director Carlos Atanes, takes the charge of produce a pilot program for the television, but his interests walks on another way: he wants to leave the audiovisual world definitively, by the most drastic way: hang himself by the neck. Intrepid journalist Diana forces him to fight against his own ghosts. So, both of them live an exciting underground adventure in Barcelona cinema's drains, peopled by the most raved and bizarre characters: rude and wretched producers, revenger and freakish actresses, survival actors, hyper-violent technicians who goes in front of camera...

Augustine of Hippo dreams of time paradoxes and spiritual decadence of a civilization, which could as much be that of the 4th Century A.D. as our own.

An esteemed piano tuner and repairer, Jacobo leads an apparently happy life with his wife, Helena. His serene existence is thrown into a state of confusion when insomnia creeps in, and pianos that previously repaired miraculously overnight remain unfixed. Jacobo plunges into paranoia and madness, hearing noises during the night and having ephemeral visions of a stranger roaming the house in a dressing gown. Helena reassuringly denies anything out of the ordinary, and suspiciously insists he is hallucinating. Is the life we think safe and secure true, or is there a second reality lurking? THE MOST IMPORTANT THING IN LIFE IS NOT BEING DEAD is a tale of betrayal and forgiveness in a rich musical universe, set against the Franco era, a period of political deceit and distorted reality in Spain. Playfully, the tragicomedy questions our perception of reality and the vulnerability of our human condition.

A narrative in the form of a Christmas story filled with repetitions, the specific routines of a precise man, in which the visit of death is part of the specular game.

In France, a near and probable future. The Sisterhood of Metacontrol governs Europe. Angeline, an exemplary and irreproachable citizen has just joined the order... But her relationship with a special man, Nono, will make her question profoundly the principles of the Doctrine.

Three wild, strange, odd, surreal, underground stories: "Metaminds & Metabodies", "Morfing" and "Welcome to Spain". Introduced by Arantxa Peña.

A strange love-story between a mad butcher and a young prostitute, they both inserted in a paradoxical Time structure, like Escher engravings.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.