Christian Schramm

When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.

After the sudden death of his wife, heart surgeon Dr. Steffen Hennings becomes increasingly withdrawn. He works a lot, but he doesn't sleep. A horrific murder is about to change his fate once again in a tragic way. All clues point to him. Why does he sit in the garden of his attractive colleague Dr. Lumis at night and watch her? Is he perhaps the brutal murderer of women that the police believe him to be? If not, why does he take the eccentric police psychologist Rosenblum hostage in the middle of the interrogation and flee? Rosenblum doesn't know whether to believe his kidnapper's claims of innocence. Pursued by the police and a hired killer, a friendship soon develops between the two men—and at the same time, Henning begins the fight for the love of his colleague Lumis. What role does she play in this drama full of lies and accusations? And who hired the killer?

Ex-Secret Service agent Harry Kowa now works as a bodyguard. Protecting his boss from an assassination attempt, he kills one of the attackers, who turns out to be a government agent. Now it's open season on Kowa.

A team of inspectors investigates murders in and around the small Upper Bavarian town of Rosenheim, and they still have plenty of time to see idyllic landscapes and luxurious pre-alpine villas and enjoy sumptuous Bavarian fare with beer.