María Bufano

A wealthy man asks for the hand of his best friend's daughter, a young woman. As the woman is in love with a man her own age, they hatch a plan to make him look like a bad luck charm and thus convince the father to break off the engagement.

A group of young people who want to go camping acquires a circus tent by mistake.

Infidelities that begin when a couple relates to another for commercial reasons.

Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital. Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).

The romance of two migrants in Buenos Aires intercut with documentary footage of early '70s Argentina.

The castrating mother confronts the young woman who is going to marry her youngest son.

Catrasca is a photojournalist with a fondness for women of all kinds.

There is everything in this hospital, a good doctor, one who only wants money, one with sexual perversions and the director who hides everything.

The short film, a collaboration between the multimedia research group Giovanotti Mondani Meccanici and Loretta Mugnai, combines both film and electronic elements. It is an adaptation of the famous story by Kafka. Julia Anzillotti portrays Mrs. Samsa, known for her work with the Italian theater-dance group Parco Butterfly, while Rolando Mugnai of the Magazzini plays Mr. Samsa, having previously performed in computer comics by GMM. Teresa De Sio makes a friendly appearance as an ironic Grande Diva who communicates solely through soprano vocalizations, accompanied by comedian Daniele Trambusti as her interpreter. The true core of the story consists of the Samsa household televisions, which emphasize and amplify the narrative's emotions.