Natalya Moiseeva

This is Peter. Not Petersburg, not Leningrad - namely, Peter. A city of big ambitions and opportunities. As a rule, unrealized. Often they joke that there is a particular climate to blame. As if he makes us all a bit lazy and unhurried, and turns the city into an endless northern Magnan. But let's be honest: if the weather was good here, you would have moved here. So thank you, Lord, for the right climate! Peter is first of all people. No museums, no cathedrals or movable bridges. People - this is the present. They fill the city with meaning. Make it alive. Rock musicians and street artists, businessmen and careerists, conductor, cooks, officials, urban madmen, just visiting. Everything is interesting here. Uneasy ... All yours. City swallows.

A 15-year old Vika has to grow up. Only yesterday she was just a teenager and now she’s a mom. Catching sidelong scowls of adults, being mocked by peers, unbearable responsibility – it seems like the entire world is against her and Vika is all by herself. More truly, she has a child now, she’s not all alone.

Famous musician Nikita Prozorov is kidnapped in a house in the center of Moscow. Investigator Ivanov finds out that the abduction was staged, and Nikita's mother, Renata, a well-known TV producer, is involved in this. Only one thing is known for sure that Nikita was taken to the clinic in an unconscious state for experimental treatment on computer psychocorrection of personality. To understand the reasons and deep motives of Renata's act, the investigator will have to piece together the history of the complex relationship between mother and son and answer the main question: did Renata kill her son or save his life?

Vera deceives a family from Perm to the Arkhangelsk region in the illusory hope of finding her youngest daughter, who disappeared without a trace a year and a half ago. She does not suspect that this deception can lead to an even greater tragedy.