Tomás Eloy Martínez

A weak man is used by an organization to commit terrorist attacks.

Set in the 1920s in Venezuela, this political melodrama by Jacobo Penzo follows the decision of the fictional Cruz Elías León (Franklin Virguéz), a young Venezuelan poet, to give up a life of social and possibly mainstream political advancement to go back to his home and family in an isolated fishing village and combat the despotic military dictator in charge of the country.

In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.

A proletarian family is forced to share their room with another family.

Based on the life of María Salomé Loredo, a figure famous for her healings and assistance to the poor of the late nineteenth and first half of the twentieth century.

Three episodes about the influence of Satan: a black boxer commits killings under the influence of his manager.A pair of lovers is haunted by the memory of a murdered wife.A wedding in the mountains is disrupted when the bride sees an apparation of the Devil who shares his expertise in astrology and the female heart.

Identical teen twins Jake and Blake were unaware of each other's existence until fate reunited them.

After Eva Perón’s death in 1952, her corpse is held for three years awaiting the construction of a mausoleum — a resting place that would never be built. In 1955, the military seized control of Argentina and hid Perón’s body from the public, fearing that it would unite the country against them. But they never imagined that in doing so she would become more dangerous in death than she was in life.