Sofia Dinger

Antonio runs away from home and tries to spend the night at his ex-girlfriend's apartment. There he finds a brazilian girl, an unexpected guest. Johnny is struggling to stage his first theater play in Lisbon. His friendship with the young light technician will make him face his real problems. Débora is passing by, finally returning home. When she goes to the theater, she falls asleep, and is awaken by the protagonist. Three dimensions of the same story.

David keeps seeing his ex in other people's faces.

Luís Mário Lopes wrote the solo A Boa Alma for Mónica Calle in 2015, based on the works of Bertolt Brecht marking the departure of Casa Conveniente from Cais do Sodré and their arrival in the new venue in zona J, Chelas. The original score is by JP Simões.

Contemplating the failure of his life, Rogério drinks until losing control of his actions and involves himself in a bar brawl. His alcoholic drift takes him to the city port, where he falls asleep while watching passing ships. When a young woman appears in the night, seemingly running from something, Rogério offers to help and enters a nightmare he never imagined it could become his.

Certain moments seem to stretch time differently, lingering in our minds longer than others do. They can be a positive memory, of a peaceful afternoon on the beach, or a negative one, like the helplessness that comes with a moment of uncertainty. In a house with vestiges of someone moving (leaving or arriving?), two women attempt a dialog filled with absences, trying to decipher the past and the future. Enigmatic, somewhere between an illusion and a daydream, time here seems suspended, lulled by silences and shadows.