Bernard Montiel

A jazz singer and a British jewel thief are brought together by their mutual desire to forget the past.

In this mainstream French comedy, a television writer creates a hit series based on the experiences of her housekeeper. The writer Nathalie does this in desperation as she has a deadline and is utterly blocked. She goes to Petlet and begins transcribing her memories of the lively goings on in her rural home village. Each memory is an episode in itself, and the show becomes a smash hit, but when Petlet realizes that her boss has been cashing on her life stories and taking all the credit, she gets angry and quits leaving Nathalie with no maid and no one to watch her children. Later Petlet's adult children demand that their mother return to demand credit and a piece of the action. But Petlet remains undecided.

A few miles from Paris, on the other side of the northern ring road, stands a ghetto neighborhood with countless rows of dilapidated apartment buildings, their concrete crumbling and iron rusting. A multiracial community has long been rooted here, while most native French families have deserted the area. In tower 216 lives a "model" family of Algerian origin, the Bouamazzas. Our heroine, Aïcha, 25, the eldest daughter, is held up as an example by the whole community. But Aïcha can no longer bear the weight of the community: she wants to spread her wings, gain her independence, and finally cross the Rubicon.

This deep dive behind the scenes of the last season of TPMP reveals its key moments. Cyril Hanouna and his panelists share their insights.

The film is set against the backdrop of the Algerian War. A determined French commander, who believes Algeria belongs to France, must deal with a soldier who rebels when asked to execute an Algerian freedom fighter. The finale is set in the blistering desert as the soldier seeks to escape