Nora Ikstena

In 1986, Juris Podnieks made his film "Is it easy to be young?". The film became extremely popular and very soon was shown in 85 countries, which was a tremendous success for a Latvian film. It was even regarded as "the first bird of Perestroika". In 1998 the follow up film was made. It was extremely interesting to find out how the new economic system after the fall of the Soviet regime in Latvia had changed the lives of the persons filmed 10 years ago. "Is it easy to be...? After 10 years" also got an international recognition. The question 20 years later was- does anything change in this world or perhaps there are things that never change?! What has become of these brave youngsters who had once helped to destroy the Soviet system and who are now the generation of forty?

Imagine centuries ago several witches huddled around a steaming cauldron, gleefully consigning offensive items to the foul-smelling brew. Maggots, worms, snails – who knows what else? Perhaps unbelievable, but it did help. This is a story about people who practice their own way of feeling fit and happy. A hunter is convinced that beaver glands offer a unique remedy against various ailments. Herbal teas, picked at the right time, can perform miracles! Many shrink away from bees, but bees can bring relief. All good and simple things, forgotten in the rush of the 21st century.

Over the years, eighty-year-old Irina Pilke, nicknamed the Little Bird, has depicted the events of her life as sketches in diaries. The pages reveal the experiences of World War II, love and separation, and a subtly ironic view on the events in the Soviet Union and among its society. The Little Bird looks at the world from the viewpoint of a small creature rather than from a perspective of power and politics which may be the reason her life story seems so incredibly heartwarming, familiar, and true to the tiniest detail.

World War II separated the Latvian nation into two parts. Fleeing Soviet occupation, a large part of the people left their homeland by the Baltic Sea and sought refuge in the West. New York’s Hell’s Kitchen district became their home and the core of Latvian cultural exiles became young poets and artists. The film traces across half a century to show their life today and what has happened to those young writers and poets (the Troubadour – Gunars Silins, the Internal Dissident – Janis Kreslins, Philosopher the Dionisios – Robert Muks, the Estranged One – Rita Gale, the Observer – Aina Kraujiete, the Outsider – Dzintars Sodums) in their effort to combine the trends of global culture with their ethnic identity, when two cultures, Latvian and American, intersected.

Prayer for a Home shows how everyone needs shelter and a home – people in Latvia, Europe and troubled regions throughout the world. The film relates the story of the distinguished Latgalian poet Anna Rancāne and her family – her daughter Terēze, her grandson Daniel, and Daniel’s father, Dara Muhammad Ali – who are trying to stick together despite unfortunate circumstances. Even though Terēze and Anna are Catholic, while Dara is a Muslim from Kurdistan, their love transcends religious, national and cultural prejudice. However, due to circumstances beyond their control, the family is not destined to remain together, despite doing everything they can to stay close.

Vija Vetra is the famous Latvian dancer and choreographer. She was admired for her dancing by Jawaharlal Nehru and Indira Gandhi. She was loved by the world famous American poet Robert Lowell. She was the first to introduce sacred dance into church services in many different countries around the world. She has learned to cross freely the cultural boundaries, feeling equally at home both in Eastern and Western dance traditions. Born in Latvia, she has spent her life in different parts of the world and the camera traces her in the film (from India in 70ies where she had been renowned as "Vijaya", to New York, Greece, and Latvia today). The film is as colorful as her life: loud and happy like the feelings aroused by her splendid performance, deep and unknowable like her inner world, and sad, quiet and calm like loneliness itself?

The documentary about Dainis Īvāns, leader of the National Awakening movement between late 1980s and early 1990s, a human symbol of the recent history of Latvia who embodies all hope, idealism, disappointment, choices, compromises, wins and losses. Eventually, he finds strength within himself to return to his roots, rather than let grindstones of history crush him, to be more than just an accidental figure in the big plan of destiny.

Struggling against the totalitarian regime of occupied Soviet Latvia, a talented young doctor is stripped of her career, her joy for life, and even her maternal instincts.