Valia Santella

Palermo, Sicily, 1980. Mafia member Tommaso Buscetta decides to move to Brazil with his family fleeing the constant war between the different clans of the criminal organization. But when, after living several misfortunes, he is forced to return to Italy, he makes a bold decision that will change his life and the destiny of Cosa Nostra forever.

The true natures of love, commitment, and reality are called into question in this offbeat drama. One night in bed, Tomas, a magician, begins telling a story to his wife Desirè about Emma and Sal, a married couple whose love life has gone stale. In order to fire up their relationship, Emma and Sal begin playing an increasingly elaborate series of role-playing games, in which they assume different personas -- Sal saves Emma as she is tied to railroad tracks, or Emma must seduce another man to pull her husband out of debt. But the question soon arises -- are Emma and Sal real? And who really holds the power in their lives? Chimera also features Franco Nero as one of the participants in Emma and Sal's sexual fantasies.

An old film director, unhappy with the movie he's shooting about a Hungarian circus stranded in Rome during the 1956 anti-Soviet uprising, faces divorce from his producer wife and other problems.

Orhan who lived in London for years and did not come back to Turkey agrees to help Deniz -a famous director- edit his first book. Deniz has been living in a mansion with his family which started to lose its old brightness and power. Orhan finds himself in the middle of Deniz's complicated relationships, mysterious friends and stange family members. This is the first movie of Ferzan Ozpetek which is shot in Turkey after a long time. It is also based on his own book which has the same name with the movie.

Follows the lives of three families who live in a three-story building in a Roman neighbourhood.

The love story of Gerda Taro and Robert Capa.

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana, overwhelmed by a sudden love and a violent crime.