Laureno Alonso

Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one.

A man chops down trees, organizes the trunks, cleans them, stops to defecate, has lunch, takes a nap and continues to sell his timber.