Charlie Meliala

Alina, a popular Instagram celebrity, is facing various challenges in her life. The death of her best friend further depresses her. Her encounter with Omar, a final-semester student, rekindles her hope for love. Omar also encourages her to become a better person. However, just as her life's direction begins to change, Alina loses her "migration" direction.

76-year-old widower Encek convenes his children for a final dinner, unveiling concealed memoirs of love, loss and generational wounds before choosing the sea as his reunion place with his deceased wife.

Reveals the apprehensive life of children born to inmate mothers who are forced to live and become victims shrouded in prison.

On the train in Germany, Arini, a 38-year-old student, meets Nick, who is 15 years younger than her. Nick fell in love with Arini, but Arini had lost her faith in love and was unable to accept Nick.

Pertiwi, a strong and independent woman who took care of her three children: Adam, Sekar, and Isham until they became adults and left their hometown. Her husband died after losing the village head election against his rival, Janji Upaya. The children of Pertiwi, who blamed Janji Upaya for their father's death, harbored deep feelings of resentment towards Janji Upaya.

Sara, a transgender woman goes back to her remote hometown to attend her father’s funeral. She finds the village has changed greatly, and that the villagers have become extremely religious. Added to that, her mother suffers from dementia and treats her like a complete stranger.

A dance film that explores the role of women in the domestic space.

Hari, a young psychologist and his sister Eka, goes back to their village for the funeral of their estranged mother who committed suicide by hanging. There they are confronted with the superstitious beliefs of the locals which is behind their mother’s death.

Love Story Not explores the daily lives of two female prositutes, Martha and Ning, focusing on the dynamics of the relationships with the people around them, particularly their relationship with Erik King, their shared lover.

A woman of nobility battles patriarchal norms in order to improve educational access for women in early 1900s Indonesian society.

Ning, a young Catholic woman, takes up a better job with a furniture company, while her hapless husband—occasionally hawking gasoline—spends most of his time doing pretty much nothing. It is when Ning is required by her new job to go on a road trip with Mur, a male Muslim colleague, that the suffocation of her marriage gives way to an awakening of repressed desires. Set in Yogyakarta, this delicately observed mood piece and debut feature touches on unspoken issues of sexual repression and adultery in contemporary Indonesia.

Agave Amica transports us to Indonesia in the midst of the pandemic. With an excellent eye and a unique form of narration, Gembong Nusantara follows the daily lives of workers and their toil both in graveyards and in flower fields, inviting us to a larger reflection on the contrast between day and night, life and death, flowers and graves.

Puspa, a novice lawyer handling trivial cases, fights for the cause of poor people accused of petty crimes and threatened with disproportionate punishment. As she takes on a rigged legal establishment, she must grapple with her crippling senses of powerlessness, and empathy.

After growing up in a tumultuous household, Yura finds herself in a love triangle with two close friends as she faces a personal and financial crisis.

When Siti loses the attention of her biological children, who are established and busy with their respective jobs, she takes care of Murni, a psychoneurotic pregnant girl. What Siti did made her children worry and forbade her. Accompanied by her adopted son Jalu, Siti is determined to take care of Murni when her physical condition is getting weaker due to cancer.

Shinta Ratri, a 57-year-old Muslim trans woman, recounts her life experiences—childhood memories, struggles of growing up, marriage—and her journey as the founder of the Islamic Boarding School of Al-Fatah in Yogyakarta, Indonesia.

This film talks about today’s Indonesia from different perspectives—economy, politics, arts and culture, society, laws, and history—outlined in several fragments influenced by one another.

With special agreement with his sister, estranged son agree to accompany his strictly religious father on a journey to seek the crescent moon that signals the start of Eid.

Hujan mysteriously loses her baby. In desperation, she meets Bayu, who offers help. Bayu took her to a shaman. The shaman reveals that Hujan's baby has been taken by a creature from another world, "Hantu Jabang Mayit", a ghost summoned through dark rituals to target babies of mothers who are not ready to give birth.

The story of young Taufiq Kiemas. Inspired by Soekarno's ideology, he decides to become a nationalist.

Joko Kemala is quit school and works as porter on the shop building to support his daily living cost and his blind father. There he meets Totok Janoko the owner, who is very powerful and exploits him sexually.

Adam, the Village Head who entered regional election politics brought his politics home, affecting his relationship with his wife and younger siblings. Mixed with the love affairs of the widowed Mother Earth with Mr. Janji, a widower, a former village head, the euphoria of the village residents ahead of the regional elections and political brokers and dynastic political issues that spread to the village via social media became increasingly chaotic.

A boring NGO documentary. The film descends into chaos when a television crew arrives and starts toying with the meaning of reality in a village.

The magical surrealist journey of Asa, daughter of a shaman, who confronts her own mother, fighting for her own life and freedom.