Richard Nelson

The story of the love affair between FDR and his distant cousin Margaret Stuckley, centered around the weekend in 1939 when the King and Queen of the United Kingdom visited upstate New York.

Married couple, Ethan and Zeena, are in need an extra hand around the house due to Zeena's debilitated body and constant illness. The young woman who joins them is a beautiful, spirited person. She and Ethan fall in love much to the dismay of Zeena.

Vanya and his niece Sonya struggle to care for the estate owned by Vanya’s brother-in-law Alexánder, a wealthy professor. When he returns with a beautiful new wife and plans to sell the estate, hidden passions explode and lives come undone.

Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.

The Apple Family reunites to discuss recent events during the COVID-19 pandemic.

In the midst of our unsettled world, the Apple Family, last seen in 2014, return, though not over the dinner table, but via Zoom. This hour-long play picks up with them during their now suspended and quarantined lives. They talk about grocery shopping, friends lost, new ventures on a hoped-for horizon—all at a time when human conversation (and theater) may be more needed than ever before.

The fourth and final play in this captivating series, Regular Singing, opened on November 22, 2013 – the 50th Anniversary of JFK's assassination that shocked the world.

Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.