Ferruccio De Ceresa

Arrested on suspicion of a hit and run, a succesful architect is put in prison awaiting trial or release. Whilst there he witnesses the grim reality of life behind bars: corrupt staff, corrupt inmates, an inhuman judicial system and the power of the Mafia.

Whitaker Selby, Lester Kato, and Etienne Devereaux, three eccentric gunmen, discover they are brothers. Their father left them all a mine located in Laredo, Texas. But they discover that Julius Caesar Fuller, the town's greedy landowner (who fancies himself Caesar) has taken control of their mine. They band together to fight Caesar and his black clad gunmen to repossess their mine and avenge their father.

Niccolò Vivaldi is a cello player and he plays in Arena di Verona Orchestra. But he is not the first and neither the second cello. He is frustrated. Nobody can remember his face, nor his name. Niccolò is married to Costanza, who is really beautiful and he takes some pictures of her naked. Later he shows the pictures to a friend and so he feels better. He starts to write a comic opera called "Il merlo maschio" only to discover later he had written Rossini's "La gazza ladra". To maintain his self-esteem he can only show his wife...

Guests of the wealthy young Don Alberto De Simone, the ramshackle troupe of actors known as "L'eclettica," led by Gennaro De Sia, rehearse a new play in an attempt to redeem themselves after the fiascos of their previous performances. The "rehearsals" are interrupted by the arrival of Salvatore, brother of Viola, an actress who is expecting Gennaro's child and who wants to force the man to act like a gentleman and marry her.

Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.

Sei personaggi in cerca d'autore is an Italian staged filmmaking of the play of the same name, written by Luigi Pirandello about the relationship between authors, their characters and theater practitioners. The story follows six characters: Il Padre (Romolo Valli), la Figliastra (Rossella Falk), la Madre (Elsa Albani), Il Figlio (Piero Sammataro), la bambina (Patrizia Ponzelli) and Il giovinello(Paolo Figna) that invading a essay by a theater company looking for an author.

A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to isolate the germ of madness. He is also a very active ladies'man and makes three women benefit from his sexual itch: Francesca the hospital manager's wife, Bianca, his devoted nurse and Carla, a nymphomaniac doctor's wife. His well-ordered universe starts being challenged with the coming of Anna, a trainee psychiatrist, who disapproves of his theory on the origin of madness. Worse, she resists his advances. As Bonaccorsi is more insecure than he looks, what will become of him?

Giacinto Rossi, a poor driver up to his neck in debt, is imprisoned for simulated crime. He finds himself in a cell with Tagliabue, an unscrupulous murderer; Sorcio, an elderly thief; and Papaleo, an honor-obsessed intellectual who murdered his fiancée's lover. Giacinto is forced by the three men to make a daring escape from prison.