Juli Saragosa

Rachel is a criminology student hoping to land a position as a teacher's assistant for professor Robert Starkman. She's sure this position will pave the way to an FBI career, and she's willing to do anything to obtain it -- including killing her classmates. The school psychiatrist, Dr. Daniels, becomes aware that Rachel is insane, but Rachel is skilled at her dangerous game of death and identity theft.

The fate of a Hungarian Jewish family throughout the 20th century.

A Hungarian family forced to flee the Communist country for the United States must leave a young daughter behind. Six years later, the family arranges to bring the absent daughter to the United States where she has trouble adjusting. The daughter then decides to travel to Budapest to discover her identity.

Russell, a single father, balances his work as a lawyer with the care of his five-year-old son after his wife abandoned them. When she reappears creating turmoil, he must deal with his new love interest and the job opportunity of a lifetime.

After the death of his wife, Richard hires a recently divorced housekeeper, Emma. Soon finding himself falling for her, his emotionally destructive son, Wendell, also grows attached to Emma, threatening to tear apart the family's already hostile relationship.

With things growing a bit stale in the bedroom, lesbian couple Claudia and Dylan agree to seek sexual experiences outside their relationship. Dylan discovers new pleasures at a sex club, while Claudia, in drag as Claude, finds a surprising partner.

Set against the backdrop of the true story of the largest cash robbery in the history of the USA.

A young priest is intent on denying his homosexuality, and he's not doing a very good job. Meanwhile, his alien ex-lover is plotting to turn the Earth into a homosexual planet during a cosmic event and Captain Faggotron is caught in the middle. Clashing ideologies culminate in an orgy of gay demons and a love that no longer has to hide.

Josephine has her eye on Joe, a hot-headed, petty criminal who taps phones for a living. When she finally worms her way into his heart she realises it's not a nice place to be. But is it too late?

“Whatever falls from heaven, you may keep.” So goes the unwritten law of the Kazakh steppes. A law avidly adhered to by the inhabitants of a small village, who collect the space debris that falls downrange from the nearby Baikonur space station. The last two youthful members of the village are the radio operator Iskander, known as Gagarin, and the spirited Nazira. While Nazira finds it increasing difficult to conceal her love for Iskander by means of her unconventional behaviour, Iskander is evidently not only crazy about Baikonur and the vastness of outer space, but also deeply smitten with the beautiful French astronaut Julie Mahé, whose journey to the stars he wistfully follows on television.

Director Clint Alberta takes us on a hilarious and bittersweet journey into the hearts and minds of some very ordinary, extraordinary young Canadians. Clint, taking on the role of Clint Star, seeks out his far-flung buddies, young Natives like himself. They talk about sex and life... love and abuse... 500 years of oppression--with humour, grace and courage. Deep Inside Clint Star explores issues of identity, sexuality and intimacy, while retaining the creative and playful style of a director who is not afraid of turning the camera on himself. This engaging documentary will draw you out of yourself and deep inside Clint Star.

2005 They Dance Alone (5mins, 16mm, personal-poetic)

From Here is a hopeful story of Tania, Sonny, Miman, and Akim - artists and activists based in Berlin and New York, whose lives and futures hang in the balance of immigration and integration debates. As the US and Germany grapple with racism, nationalism, and a fight against diversity, our protagonists move from their 20s into their 30s and face major turning points in their lives: fighting for citizenship, starting families, and finding room for creative expression. Spanning a decade in two of the world’s largest centers of immigration, this sensitive and nuanced documentary captures their journeys to define what it means to “belong” in societies that are increasingly hostile to their existence.

A daring documentary delving into the experiences of a Ukrainian forced labourer in Germany during World War II, exploring themes of love, loss, and profound longing. When the filmmaker’s grandmother was 19, she was taken from Soviet Ukraine to Germany to work on a Bavarian farm under National Socialism. She had the luck and perseverance to survive the hardships of the forced famine in her homeland and forced labour in the new one. The stories of her everyday life – learning how to milk a cow, and falling in love – are interspersed with three generations of reflections on politics, longing, feelings of displacement and loss. Hand-processed black & white film, colour film, photographs and official documents create a montage of different perspectives. The hand-touch aesthetic combines with the acousmatic effect of disembodied voices, in this deeply intimate portrait obscured by memory loss, mistranslation, fear and trauma.

"Almost There "tells the story of two people who meet and have a special connection. They share a moment of hope and happiness, not knowing that they will spend their lives together. They will meet again, but when will it happen? If it's not the right time now, when will it be? Is there such a thing as being in the right place at the right time? All we know is that we will reach that point soon, because we are ALMOST THERE.

Set in the near future, a collective of queer-feminist superhero*ines make use of their different identities, backgrounds and experiences to fight back against sexual and gender-based violence – a fusion of science, technology, magic, and ritual. Clashes and conflicts arise as they negotiate and try to come to a consensus on their aim of disrupting toxic hierarchies. The project is currently in post-production.

A long process of experimentation with a variety of different filmmaking techniques while examining an evolving queer identity. The film shows an emergence of the Pink Fairy. Part femme, part tomboy, part fairy, the characters come together to subvert the idea of a fixed identity. Luminescent imagery is imprinted by hand using hand-processed colour footage, optically printing Super 8 to 16mm, 16mm to 16mm, negative to positive, video to film, and repeating motifs, to explore the intricacies of the celluloid medium. Audio emotes through random manipulations in a Brion Gysin-like cut-up technique.

This Super 8 film was first presented as part of a ritual performance where Saragosa is naked and pulls a white piece of fabric out of her "yoni", pinning it up and projecting the film onto it in reverse, while speaking the words on the film. The performance was part of a collective recreation of Carolee Schneemann’s ‘Interior Scroll.’