Alix Adams

Dunya and Desie are two 18 year old best friends from Amsterdam North. Dunya is Moroccan and Desie is Dutch. On Dunya's Birthday she is told that her marriage has been arranged with a distant cousin in Morocco. Dunya and her family will travel to Morocco to meet him. After Desie discovers that she is pregnant she joins Dunya in Morocco in a search for Desies father.

Lying on a bunk bed in a children's home, eleven-year-old Lu talks with dreamy eyes about her mother, Karina, who claims to be a famous Hollywood actress who smells of oranges, talks to the stars and does her own stunts.

After the relationship with her girlfriend turns sour, Jona moves back in with her mother Mirjam. Their loving relationship is occasionally plagued by miscommunication and when Mirjam is secretive about her daughter's queer identity, the tension mounts. In Morgen doen we het beter, filmmaker Jottum Kok proposes a vision of generational conflict that can be overcome.

Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

Flikken Rotterdam takes place in Rotterdam, and is after Flikken Maastricht the second Dutch spin-off of the Flemish show Flikken.

Tropenjaren is a comedy about the whirlwind of new parenthood and a former life that’s gone for good. When Jelle and his wife Rosa welcome their first child, a new chapter unfolds. The young parents strive to do their best for their daughter Stella while also trying to keep their work lives and relationship as lively and ambitious as ever. Nights out and parties, however, quickly give way to diapers and babysitters. In short, the couple is gearing up for the tropenjaren—the intense early years of parenting.