Tania Goldenberg

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

In 2017, twenty years after the British handed over Hong Kong to China in 1997, young people, more politicized than any previous generation and proud of their land, do not feel Chinese and actively fight against the oligarchs who want to subdue them to China's authoritarian power.

Félix, a young, melancholic and secretive shepherd, leads a surprisingly timeless life. He lives alone and works along his father to raise the family herd. From autumn to spring, he looks after his animals, feeds them and keeps them in the dense forests of holm oaks of French Pre-Alps. In the summer, he travels on foot for more than two hundred kilometres, leaving his father to lead the herd to the mountains pastures, in the High Alps Ubaye valley. There, he lives far from everything for many long months, in a mineral and inaccessible world where an invisible being prowls: the wolf. Against the tide of his time, Félix has chosen a profession that isolates him and keeps him out of the world.

This is the story of a Greek physician who collects pendants and bracelets. This is the story of an Italian woman who has been fighting for 15 years to «make bodies talk.» This is the story of those who watch over the forgotten migrants.

This documentary cracks open the meticulously constructed façade of Andy Warhol, exposing the complex figure behind the soup cans and Marilyns. Director Tania Goldenberg traces the transformation of Andrew Warhola, a shy, churchgoing son of Pittsburgh immigrants, into the silver-wigged icon who redefined modern celebrity while deliberately maintaining a lifelong mask. Behind the iconic person...

To tell the story of Joseph Kessel is to tell the story of the entire 20th century. He lived a thousand lives in one: reporter, novelist, exile, resistance fighter, screenwriter, adventurer, gambler, poet, alcoholic, cabaret lover, seducer, and inveterate globetrotter. Through archival footage and Kessel's colorful language, this film traces the journey of a man who turned reporting into an epic and reality into the stuff of novels.

There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.