Thaís de Almeida Prado

After theirs father's death, Carl and Ana decide to go to Germany to rescue his unknown story. There, not only will they discover familiar tracks, they will confront and recognize themselves, to move forward in their lives.

The film is a poetic testimony of these women's relationship with their city: being foreigners, discovering their roots, trying to create art, experiencing urban violence, dealing with space, architecture and movement.

Joana, a non-binary person with a vagina, meets Xtopher, an effeminate gay man, in the FKK area of a Berlin lake. Then, they decide to go to the cruising area together, where they experience new sensations.

Marcelo, a 40-year-old dandy, has a memory like no other. Monologuing between coffee and gay hookups, he holds court on a wide range of topics: his status, his Catholic grandmother, and his unusual sexual fantasies. At times, he takes himself for Genghis Khan or poet-philosopher Novalis.

The feature-length documentary Fakir portrays the success of fakirism in Brazil, Latin America and France. This circus art origin show is presented and analyzed through archives that reveals the success of these presentations with their pain resistance championships and the great public presence, including politicians and government officials. Fakir spans current footage from contemporary artists who keep this art alive in performances and shows.

I saw leaves that were moving. I thought: "It's a bird in its nest". I separated the leaves and looked; but there was no bird. The leaves continued to move. As I ran, faster and faster, I screamed. What moved the leaves? What moves my heart, my legs?

The crown jewels of the empire rise and fall in this subversive and highly symbolic satirical short.

T H R E E S O M E is a collaborative film performance developed during the confinement between John Herman (Cologne, Germany), Thaís Almeida Prado aka Filmes de Infiltração (São Paulo, Brazil) and Va-Bene Elikem Fiatsi aka crazinisT artisT (Kumasi, Ghana).

In December 2012 two filmmakers meet with the intention of making a film from two looks: her look at him and his look at her. He, a cisgender man; she, a person who defined herself as womxn-non-conforming.

Terror. Horror. Terror. Humour.

"Com Meus Olhos de Cão" (With My Dog-Eyes), is a "friction" film that mixes documentary elements from the life and work of the erudite composer Gilberto Mendes with fictional elements from the book Com Meus Olhos de Cão, by Hilda Hilst.

Thais, Nathalia, Julia and Tetembua decide to open “The Brazilwood Store”, a men’s escort company as a solution to womxn's desires in search of casual sex.

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.

A boy dreams of being a man like the ones he lusts for. Does the man he becomes live as he imagined?

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

From a simple question, we travel through futuristic imaginaries. a game, an experiment. Cats, children, extemporaneous beings all in correlation in this short film directed by Thais de Almeida Prado and Fernanda Sanchez Valdivieso. Cactus: generally succulent and edible. large flowers, nocturnal flowering, pollinated by insects, moths, bats. wide anatomical adaptation. dry and hot environments. deserts. semi-arid, caatingas, cerrados. dimorphic branches, reduced leaves, photosynthetic. certain species develop ephemeral leaves, which last for a short period of time while a new bud is still in its early stages of development. psychoactive agents. ruins of civilization.

Essay on Eva Nil, the first star of Brazilian cinema.

New York City attracts Jane and Carlos, like so many others, with the promise of a better life. That's why they've left their home country, Brazil. Yet as immigrants, they don't have all the opportunities that the American dream implies. Their search for a new and better life represents that of all the immigrants who dare to attempt a fresh start in another country. It is also the story of changes taking place in United States and Brazil. The fictional story about Jane and Carlos in this experimental film is intertwined with the personal experiences of the film team, which reports in interspersed episodes about their own immigration and that of others they've researched.