Matthias Fuchs

A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.

Fritz Haarmann, who has killed at least 27 boys, is questioned by a psychology professor in order to find out whether he is sane and can be held responsible for his crimes. During this interrogation Haarmann reveals his motives and his killing methods.

The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.

Frau Emma Küsters prepares dinner late one seemingly-ordinary afternoon in her seemingly-ordinary Frankfurt kitchen. She wants to add canned sausages to the stew; her irritating daughter-in-law thinks otherwise. But the point is moot: Ernst Küsters has not only murdered the personnel director at the soap factory where he's employed but succeeded that by committing suicide.

Prüfstand VII is a 2002 German docudrama film directed by Robert Bramkamp, about the V2 rocket and the rocket research in the Peenemünde Army Research Center. The film deals with the history of ideas surrounding the rocket research and the conquest of space, with Bianca as the spirit of the rocket guiding the viewer around different aspects of rocket research. It is partly inspired by Thomas Pynchon's novel Gravity's Rainbow and features dramatization of some selected scenes from the novel.

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.

In 1939 German U-boat captain Günther Prien receives orders to infiltrate the British Royal Navy base at Scapa Flow and sink British warships.

Granny Jantzen lives with her three granddaughters Dick, Dalli and Angela on the small pony farm Immenhof in Northern Germany. Since the breeding of ponies isn′t profitable anymore, Granny Jantzen is struggling to keep the family property. During the summer break , young Ethelbert is spending his holiday with his cousins at Immenhof. While Angela has fallen in love with the wealthy land owner Jochen von Roth, Dick and Dalli have to put up with bigheaded urbanite Ethelbert.

In Hamburg, a suspicious crash and mafia-style killings hinge on witness Maja Stein, who demands protection. Detectives Lanart and Marquardt hide her in a safehouse, but corrupt cops ambush them. Lanart saves Maja as Marquardt is killed. Discovering Maja is a decoy, Lanart becomes a lone target.

Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.

The story follows Philip Boran, an ex-convict who has managed to turn his life around and become a movie star. However, his new life is disrupted when his brother is murdered following a bank robbery. Driven by grief and a desire for justice, Boran sets out on a relentless mission to avenge his brother's death His quest targets a corrupt police officer. As Boran takes matters into his own hands, the investigation twists against him, and he soon finds himself suspected of being a criminal

Reinhold Schünzel is one of the most sought-after actors and directors of cinema of the Weimar Republic. When the National Socialists come to power in 1933, he just releases his legendary gender comedy “Viktor and Victoria“. Despite his Jewish faith, Schünzel is under the special protection of Hitler and can work unhindered due to a special permit. But Schünzel's days in Germany are also numbered. In his sparkling and pointed artist portrait, director Hans-Christoph Blumenberg tells about the rise and fall of Reinhold Schünzel. The grandiose Peter Fitz mimes a charming, witty and ambitious director. By letting some performers play several roles, Blumenberg cleverly illustrates the recurring conditions with which Reinhold Schünzel faces everywhere. Schünzel's irony, language joke and sophistication in particular congenially transfers Blumenberg to his film.

A mother is sentenced to one year in prison for matchmaking her underage daughter with her adult boyfriend.

F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.

A biography of Auschwitz commander Rudolf Höss.

The Immenhof has been closed by officials, awaiting auction. In the meantime, Angela has died, so Jochen is now a widower. Oma Jantzen and Angela's younger sisters Dick and Dalli live with him in the forester's house. In order to save the manor house, Dalli has started a "pony circus" with the village children in the barn, while Dick has given up hope of Ethelbert ever returning.

Horst, the 18-year-old son of a factory owner, and 17-year-old Karin dream up their future together in the most beautiful colors. Newly married, however, they don't float on cloud nine as they had hoped, but sink into the dreary everyday life of marriage. While Horst ends his school career prematurely, Karin seeks help from her father-in-law.

The pony hotel has just been opened, but so far no guests have arrived. Dick gets Ralf to design a brochure about the hotel. The girls and Ethelbert then lead the village children on horseback to Lübeck, where they all distribute the brochure - not knowing that Dalli has added some embellishments to the text.

One day, an exceptionally beautiful girl shows up at Josua Webmann's pawnshop to pawn a golden harp. Josua's apprentice, Klaas, immediately sees her as an angel. That evening, she meets him again and dances with him, causing even the previously indifferent Lissy to take notice of Klaas. Meanwhile, Josua worries about his money and negotiates with an instrument dealer who makes him a generous offer for the harp. The next day, the girl and the harp have disappeared again—but she has left behind unexpected wealth.

While the masses enthusiastically meet to celebrate the new Millennium, one does not sense much commotion at the kiosk and corner bar "Das Frankfurter Kreuz ". Strangers as well as regulars come to the Kiosk owned by Walter.

The adventures of the unscrupulous successful therapist Mark Stroemer and his adversary Wolke Donner, who gains his trust under a false name in order to put a stop to his activities.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A police department, lead by an older, experienced detective solve crimes together.

Derrick was a German TV series produced by Telenova Film und Fernsehproduktion in association with ZDF, ORF and SRG between 1974 and 1998 about Detective Chief Inspector Stephan Derrick and his loyal assistant Inspector Harry Klein, who solve murder cases in Munich and surroundings.

Follow the everyday work of a fictional police station on the Kiez of Hamburg.

Der Fahnder is a German television krimi series which was aired between 1984 and 2005. In the Netherlands the series was broadcast by the VARA from 3 October 1985.

Wolffs Revier is a German television series.

Doppelter Einsatz is a German television series about the cases of two female detectives of the Hamburg police.

Peter Strohm is a private detective with radical methods. His work begins where police work ends; he takes on sensitive cases that require a certain scale, or explosive situations that can lead to international crises.

Rosa Roth is a German television series.

Die Cleveren is a German television series that was produced from 1998 to 2003 on RTL. It is about a nation wide special unit of the German Bundeskriminalamt, dealing with serial offenders. The main characters are the profiler Dr. Dominik Born and a policewoman of the BKA, who co-ordinates the necessary steps to be taken by the local police authorities.

In late 1920s Berlin, Franz Biberkopf is released from prison and vows to go straight. However, he soon finds himself embroiled in the city’s criminal underworld.

After the tragic loss of her mother, the medical student Christine Berger takes a job as a supervisor for the young Countess Leonore von Hohenstein, who suffers from a heart disease. Leonore's husband Gregor and Christine are drawn to each other from the first moment, but both are aware of the impossibility of their love and try to suppress their feelings.