Márta Mészáros

After having lost her parents, young Juli returns from the Soviet Union to her native Budapest. Scarred by the wounds of the past, the ghost of Stalin’s oppression haunts her as she reunites with her aunt and adoptive mother Magda.

Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.

During the rising of nazism, Sylvia, a rich but sterile woman, needs an heir to inherit her father's money. So she bribes Irene, a Jewish girl, to have a child by her husband.

Jutka, a young woman who works in a factory, falls in love with Andras, a university student. She pretends to be a student, to him and to his parents, and begins to live a lie. Finally she rebels against Andras and his demands and the social conventions that forced her to live a lie.

A day in the solitary life of Pista, a single child of divorced parents. The boy skips school and explores the city of Budapest by himself, yet can't escape an unbearable ennui. Like Mészáros's ADOPTION, this early short film explores the themes of broken family bonds; it also offers insight into the origins of the director’s career.

Documentary film directed by Márta Mészáros.

The Aurora Borealis is a story of family that is rich in twists and turns. It breaks the depths of the relationship between mother and daughter. A successful lawyer in Vienna, Olga is called back to Hungary when her old mother, Mary suddenly falls into a coma. While Mary is floating between life and death, Olga finds a deeply silent secret. The increasingly passionate research leads back to the post-war Europe of the '50s.

Officer Karikas from Petersburg should be in Saratov with her servant,in the way he played cards and losing much,even to stuck in the hotel.Local officials took him for anticipated auditor.With this error starting a chain of events.

A documentary short film directed by Márta Mészáros.

Young Petőfi Zoltán the son of the great Hungarian poet, Petőfi Sándor, feels as though he were a stranger in the house of his mother and stepfather. Off he goes, finding work in Debrecen, where his theatrical and literary career and love all seem to be on their way.

An expressionist biography of Edith Stein, who converted from the Jewish faith to the Catholic one and became a Carmelite sister. She would die in a German concentration camp.

This story follows a young student, who is orphaned as she grows to adulthood in the shadow of the 1956 Hungarian uprising. Coming from the Communist intelligentsia, she sees her friends and family react differently. Her lover, a married factory manager, supports the patriots and later assists fellow workers in staging a strike. Meanwhile her sister and others express anger at being forced from their homes during the revolution and continue to express a hatred for the rebels afterwards. But in the end they realize that for all people, real life is not possible after the revolt and its brutal suppression by the Soviets and their collaborators.

A story of a mother who had to change her profession from a teacher to a high class prostitute to make a living.

A continuation of "Diary for My Children," the film picks up in 1950, when Juli, the diarist, is 18 and determined to become a movie director.

Savanyú and his friend work at a plant. After the monotonous shifts they engage in the pleasures of the afternoon and the night, i.e. parties and concerts. Savanyú dates Juli, they are already engaged. The young men live as sub-tenants, the young women in workers' hostels. None of these places are suited for spending time together. They are in need of an apartment. Out of the ruinous apartment which they lay siege on, however, they are sent away by the otherwise friendly policeman. At a concert held in the Park of Youth, Juli gets to know Géza. They flirt, then go to the country with a pop-group. Savanyú and his friends follow them. A minor fight cools the atmosphere.

Short movie by Marta Meszaros

Anthology film made as an act of protest against Hungarian government of Viktor Orban.

The film tells about the famous Lithuanian director Vytautas Žalakevičius. The film contains many excerpts from the director's films and conversations with him. Here he talks about life, creativity and about himself. Vytautas Žalakevičius is remembered by his friends and associates.

Barbara is a forty-year-old woman of Polish origin living in Budapest. She is a biologist, a wife and a mother. The death of her woman friend opens her eyes to the fact that she is lonely, unable to find her place.

Fanny lives in the forest with her meteorologist mother. One day on her way across the forest to visit her grandmother and great grandmother, she has three encounters that will change her life forever: an apparently kind and gentle wolf, a city boy and an ornithologist who bears a striking resemblance to the father who long ago abandoned her and her mother.

Juli, who works in a brick factory, begins a romantic relationship with her boss, to whom she hides the fact that she has a son.

Socialist industry manufactures only those products absolutely required by workers, citizens purchase only those items essential for their everyday lives – claims the film, thereby differentiating the operational principles of domestic industry and trade from those of capitalist countries.

A candid portrait of the women working at the Lőrinc spinning mill. As with so many of Mészáros’ shorts, this work has foundations in autobiography, and she would later return to this particular world in one of her fiction features.

What if democracy fails citizens by not serving them all equally? What if inequality becomes the norm and the most vulnerable citizens are left behind with no money, no home, no rights, and no country of their own? In Hungary, the government has slashed social benefits and criminalized homelessness, but a group of activists, homeless and middle class, is confronting authorities to defend social justice and their right to be citizens. After the tragic death of two of its founding members, the group feels that Hungary is growing more hostile and their struggle is more important than ever. Despite all odds, their own community keeps them going—a mini-society with democracy and solidarity at its heart, an island of hope, belonging and dignity in a society gradually shifting the other way.