Elisabeth Volkmann

Vittorio pretends to be gay so he can chaperone a rich man's daughter on vacation in Germany. Unfortunately his driver really is gay and Vittorio has a problem.

Josefine is a young streetwalker in Vienna at the turn of the 20th century. She manages to sleep her way to the top by marrying a British aristocrat, and she delights in telling ribald stories of her sordid past to moralistic prudes.

In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

The story of a German singer named Willie, who while working in Switzerland, falls in love with a Jewish composer named Robert, whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.

Another Ernst Hofbauer schoolgirl exploiter in the same vein as his Schoolgirl Report films, but for this one he raised the sleaze level to new heights with non-pornographic scenes of rape, pedophilia, satanic rituals, virgin sacrifice and golden showers. Despite how it sounds, these acts are played for silly comedy rather than any harsh depictions.

120 schoolgirls live in a Catholic boarding school for girls together with nuns, who teach them, but secular teachers are also employed here. Behind the conservative façade of decency, discipline and order, there are unsuspected sexual abysses.

East Germans abduct a U.S. coed (Linda Blair) and throw her in a women's prison run by a brutal inmate (Sylvia Kristel).

Some guys try to locate a evil guy's secret diamond mine somewhere in Thailand.

At a girls boarding school, a beautiful blonde orphan is possessed by an evil demon.

A bunch of high school graduates practice love with their classmates who have a lot of experience, because they spend their free time as escort ladies and therefore earn a lot of money.

Village elders attempting to upgrade their village status to 'Marktgemeinde' - which for some unexplained reason would resolve their financial difficulties. To achieve this they need to increase the number of village inhabitants...

17-year-old Petra travels to Munich. On her very first evening, the young woman gets to know the Schwabing nightlife: Manfred takes her to a party where the going gets hot.

Homeless Alfred would like to spend his life on Mallorca. A destination far away. But one day he meets the policeman Erwin.

Seven vignettes explore the way in which modern women have learned to take charge of their sexual needs.

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders

One of the many German "report" sexploitation films from the early 1970s, with the only distinction that it focuses on female apprentices instead of schoolgirls.

Vienna: Wedding dreams draw Adrian, the rich son of a Hamburg merchant dynasty, to Vienna. His chosen one is a countess whose parents pretend to be rich but are in fact desperately poor. The meticulously planned wedding intrigue culminates in a duel to which Adrian is challenged by his bride's brother. Adrian is shot and left dying to the vultures, but is fortunately found by Josefine and her friend Zenzi. With their charm, the two whores persuade a doctor to operate the bullet out of the unknown man's chest and nurse him back to health. Especially the erotic stories Josephine told Adrian to keep him alive after the operation fascinated the latter. And he develops a plan to take revenge on the family of his chosen one. Adrian decides to introduce Josephine and Zenzi to the finest Viennese society

Workers of a journey company state about guys and females who pass their vacation time just by sexual enjoyment, which is shown overly thorough and commented on.

The fourth part of the series about permanently neglected and frustrated wives focuses on women in Budapest, London, New York, Paris and Barcelona.

This film adaptation of Erich Kästner's book is about a millionaire who wants to travel to a hotel under a false name and test how "normal people" are treated. The hotel staff receive a warning, but mistake another man for the fake millionaire and treat him like God in France, while he doesn't feel the slightest bit of even luxurious treatment

On the advice of a friend, Claude, married to the charming Isabelle and father of two, decided to transform his library, hardly flourishing, into a sex shop. This change of activity proves to be very lucrative and sharpens his desire to spice up his married life through various erotic experiences. Claude asks his wife to share with him the audacity he dreams of. Soon, the household meets a dentist and his wife and is engaged, without much success, to new discoveries. Isabelle, full of good will, tries to follow her husband ...

A fictional, non-chronological account of the life of the scientist, adventurer and industrialist Lukas Berlinger. The key dates and central events include Berlinger's birth in 1914, his friendship with Johannes Roeder, who was the same age, his marriage to Marlit in the early 1930s and Roeder's joining the NSDAP in 1936. As a chemist and "scientist important to the war effort", Berlinger was not required to go to the front during the Second World War, but it was slowly discovered that he was helping persecuted people to escape to Switzerland. Pressure from the Gestapo cost Marlit her life, and Berlinger fled to South America. It was not until 1968 that he returned to the western part of Germany. He meets Roeder again, who is now a senator and has become rich as a "building tycoon", and meets Maria, a teacher almost 30 years his junior, who looks strikingly similar to Marlit.

Two dumb blokes are searching for the illegitimate sons of an old captain. But it soon turns out, that the sons are daughters...

A police department, lead by an older, experienced detective solve crimes together.

Derrick was a German TV series produced by Telenova Film und Fernsehproduktion in association with ZDF, ORF and SRG between 1974 and 1998 about Detective Chief Inspector Stephan Derrick and his loyal assistant Inspector Harry Klein, who solve murder cases in Munich and surroundings.

Follow the everyday work of a fictional police station on the Kiez of Hamburg.

The series is about a cruise ship that travels to places around the world.

Polizeiinspektion 1 is a German television series.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Pumuckl is a Kobold from a German radio play series for children. He is a descendant of the Klabautermänner. He is invisible to people around him except for the master carpenter Eder with whom Pumuckl lives. Pumuckl was invented by Ellis Kaut for a radio play series of the Bavarian Radio in 1961. Later on it was turned into a very successful TV series. Three movies and a musical also deal with the adventures of the little kobold. Pumuckl is one of the most popular characters in children's entertainment in Germany and several generations have now grown up with the cheeky but funny little Kobold.

A German sketch comedy show that prioritises provocative absurdity above all else.

Die Rote Meile is a German television drama that aired on Sat.1 and follows the lives of strippers, prostitutes and their pimps in the district of St. Pauli in Hamburg. The first season premiered on 1 October 1999 and consisted 26 episodes. The show was a rival to the RTL drama Hinter Gittern - Der Frauenknast; both airing in the same time-slot - Monday nights at 9:15 pm. A second season was ordered by the network in the spring of 2000 and started airing on Thursday nights at 8:15 pm on 14 December 2000. The show was canceled in the beginning of 2001, airing its last episode on 8 March 2001.

Bernds Hexe is a German comedy television series about a banker who is married to a witch. The series is a joint venture between Cologne Filmproduktion GmbH and Grundy Light Entertainment. It aired on RTL in 39 episodes between 2002 and 2005.

Zwei himmlische Töchter is a German television series.

Salto Postale is a German television series.

Three orphaned siblings run their household together: Karin is already an adult and takes care of her two brothers, Bernd and Tommy. Bernd is in vocational training, and Tommy is still in school. And as long as no adults drop in, things may be chaotic, but they’re happy.