Klaus Wildbolz

Western intelligence agents try, by all means necessary, to prevent a Communist-bloc defector from leaving the West in his bid to return home to lead an uprising.

Menschenfrauen is a film about relationships and the psychological oppression of women in society. Franz, a journalist, maintains relationships with four women. His three mistresses are introduced with television dreams of intense emotional violence (in the first dream, a mother shouts at her daughter, explaining that as a girl, she does not deserve a room of her own), and the fourth is his wife. He is desperate to have each to himself. Franz never offers a substantial sign of love, but is willing to say anything and make any promise for affection. His dependence on women for fulfilment is explained through arguments with his wife. He claims "I am my own sound. The women produce voices within me." An understandable and sometimes sympathetic antagonist is one of the films greatest strengths. The emotional damage he causes becomes believable.

Jonathan MacKenzie is the founder of a leading brand textile Irish who now heads her daughter Kate and her husband Patrick O'Hara. But on his deathbed his past haunts him and confesses the whereabouts of Teresa, his granddaughter, daughter of his deceased son, whom he took when he was born and now lives happily with his adoptive family But now the biological mother of the girl on a journey to recover ..

In order to win the respect of her friends and family, divorced housewife Sabine decides to perform Wilhelm Tell with a group of Asylum seekers in the Swiss mountains.

Aldo Viezzi, a brilliant surgeon secretly addicted to cocaine, retreats to Prague for research but sinks deeper into dependency. With sociologist Teresa’s help he uncovers a drug-trafficking manager, endures a forced, drug-free operation to save a kidnapped patient, and finds the strength to confess his addiction and bring the trafficker to justice.