Shinkichi Tajiri

A look at the story behind the bestiality tape ANIMAL FARM. From its production in early 70's Denmark, to when it was smuggled to the UK and distributed in 1981.

Rapidly alternating fragments of women's portraits, planes, trains, revue dancers, animals, a motorcyclist with 'Ferdi' written on the back of his jacket and in between the artist himself and abstract images; scratches and wild drawings, among others. Colourful abstract and expressive images and texts, painted directly on the celluloid, are interspersed with images from the maker's other films; THE VIPERS and FERDI.

Short film about the experience of taking psychoactive drugs. ‘I wanted to make a short documentary-style film about marijuana and hashish, psychoactive drugs that in 1955 were still relatively unknown to the general public. They were mainly used by a small group of artists, jazz musicians, intellectuals, and North Africans. I wanted to visualize the ritual of rolling and lighting up a joint, and then put a series of seemingly unrelated images next to each other to represent the feeling of being high. When the movie was finished, we took it to the festival for 16mm films at Cannes, and won the Golden Lion for ‘Best Use of Film Language’. (Shinkichi Tajiri, Tajiri, 1993)

Documentary on Ferdi Tajiri and her iron welded jewelry. This atmospheric documentary shows Ferdi welding and fashioning her jewelry. The images of the insect-like jewels fade into footage of real insects.

An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.