Yiolanta Balaoura

The events of this film, spanning from the very first moments after the Occupation until the first years of the 1980s. In those years, which are crucial for Greek History, the adventurous path of a poor family is illustrated, that’s slowly going to end up filthy rich. The members of the aforesaid family found out the hard way, that money cannot buy happiness.

It is a story of a normal, everyday Greek family that each member turns out to be wacko or gets wacko by the other members. The father is the stoic figure that accepts everything. The mother has a middle age crisis and takes advantage of her husbands inability. The older brother is a doctor of psychology and has everything under control (or believe so) and the younger brother does nothing with his life acclaiming that he is a filmmaker.

A young, inexperienced, and deeply in love man takes everything seriously, unlike his friend, for whom everything is just a fleeting game.

A brilliant investigative journalist, Alekos Varnesis, desperately searches for the truth behind a scandal that is rocking Greek society concerning the trade in human organs. In his attempt to track down the mastermind behind the ring, he encounters unpredictable comical situations, similar to those we experience in our everyday lives. When he manages to reach the mastermind, known as "The Big One," he discovers that he too has his own family problems. His twelve-year-old son is an alcoholic and madly in love with his stepmother. All this creates a lot of confusion...

An 80-year-old widower, Mr. Elias, goes to his village (Perithorio, where he had been president of the community for twenty-four consecutive years) to vote in the municipal elections. There he meets his childhood sweetheart (Fotini, also a widow). Their youthful engagement had been broken off due to a misunderstanding, but now their love is rekindled and they are considering marriage, despite the opposition of Fotini's daughter. When one day the village madman announces their rendezvous, the elderly couple, panicked, take the bus and flee to Drama. There they spend carefree, tender moments, but Mr. Elias' son, Aristides, finds them and forces them to return. However, the big decision has already been made, and when Mr. Elias' pension for former mayors and community presidents comes through, nothing can stop the couple anymore. Fotini comes to Athens and, together with Elias, they visit her grandson.

Life in Pezoula and Vrysoula flowed harmoniously. Of course, it helped that there was a wall between the two villages, built from one end to the other, so that no one interfered in the other's business. But when Kallikrates comes to unite the two villages, everything is turned upside down! A prominent journalist dies, the biological treatment plant divides opinion, the minister is bribed, the starters come and go, the SDOE gets involved, the night owls are disturbed, individual and local interests get tangled up, while surprises and hilarious situations follow one after another...

The youngest of the Antonopoulou family, the eight-year-old Angelos and storyteller, will travel with us in the late 60's, when television was slowly entering the family living rooms, in "Our Best Years".

The adventures of a vulture, an exquisite, handsome and particularly charming man who loves and is loved too much by women.

The sea has the power to unite, but also the cruelty to separate people forever. A country like Greece, with the sea and boat trips written in its DNA from ancient times to today.

A woman finds the strength to escape her past for a new beginning. Two brothers reveil the gap that separates them. A quiet Aegean island hides a volcano of guilty secrets that is ready to erupt! Can a dark past lead to a bright future?

Real heroes live among us. Because lies are bad, sometimes you need to be a superhero to get through the week...

"Storgi" is the name of SKAI's social drama that deals with abuse, the trauma that hides in childhood and often defines adulthood and our ability to love ourselves and others. At a time when anger has become a movement and domestic violence is on the rise, we need to better understand the root cause of the problem of violence but also to destigmatize psychotherapy which is not a taboo but a path that can lead us to self-awareness, redemption and balance.