Daniel Bergman

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 theatrical feature film (approximately 135 minutes), created by condensing and re-editing the four-part Swedish television miniseries originally produced the same year.)

Alexander, a journalist, philosopher and retired actor, celebrates a birthday with friends and family when it is announced that nuclear war has begun.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

A fantasy about repression and hidden menace.

Brenda Brave gladly helps her grandmother to sell candy canes at the market square. But one day grandmother suffers from a sore leg. Brenda has to take care of the candy cane sales all by herself.

A recently separated ladies' magazine reporter, a young couple who are in love, an unfaithful but jealous crane driver, a longing father and his unknowing daughter, the home coming fisherman's son who seeks reconciliation with his parents, the farmer who thirsts for tenderness. We meet them all in Svenska hjältar, a modern saga about the chipped heroes of everyday life.

Returning to Fårö a decade after his earlier documentary, Ingmar Bergman records the daily lives of farmers, fishermen, and families living on the island. Structured around the four seasons, the film documents labor, communal routines, and reflections on how life on Fårö has changed since the late 1960s.

The three children in this story are left at home alone one evening when their parents have to attend a funeral. They are warned to not let any strangers into the house but they forget to put the latch on the door and a rather scary vagabond turn up and lets himself in. There is an authentic air of menace about this tramp, which initially frightens the three children in the story and children in the audience find exciting, although in the end he turns out to be merely eccentric in a way that all children find irresistible.