Alexandru Lungu

A local Romanian chieftain in 16th century Transylvania discovers a great treasure of Decebalus. He decides to send it for safekeeping in Moldavia, but he has to evade the Transylvanian prince and the king of Hungary, who get wind of it and want it for themselves.

Three sisters that had a tranquil life in a town suffer dramatic life changes at the end of WW2.

The story of heroine Ecaterina Teodoroiu, the only woman who fought in the Romanian Army during World War 1.

Pavel has to confron his father in law, who is decided to compromise him in front of the village.

1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.

Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.

In 1942, Nea' Vitu is in trouble with his children: a son is fascinated by the world of war profiteers, and the daughter is going around with the speculator "Treispemii" (Dan Nutu). On the evening of her engagement, Vitu is denounced by his son for hiding an illegal printing press in a painter's house. Thirty years later, he returns to the slum and searches for the Vitu family. They no longer live there, the neighbors have changed, and he investigates to find out what happened to them. Nea Vițu, you raise your daughter, Rădița, and son Fănică. His wife Dorina died when Fănică was born. Apparently, family problems are difficult barriers to overcome. He's an honest man. He gets angry at the slick Fănică. Fănică is also chased away by the slum priest, because he wanted to make a new bible... where he'd be Fănică the God .... Rădița goes around with the speculator "Treispemii". In 1942, nea Vițu joins the fight against the Nazis and runs an illegal printing house with a painter...

In a Transylvanian village, a pastor tries to convert a local peasant to his religion, for personal interests.